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John Cale :: Heartbreak Hotel (Musical Express, 1981)

In the mid-70s, John Cale recorded a trio of solo albums for Island Records. Ever the forerunner of avant-garde, Cale concocted a heady brew of proto-punk, glam and art pop aided by the likes of  Phil Manzanera and Brian Eno. One of the more singular moments of this era appears on the 1975 album Slow Dazzle, wherein Cale delivers a harrowing cover of the King’s “Heartbreak Hotel.” Already nocturnal in its original form, Cale exorcises the . . .

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Nico Icon :: Documentary (1995)

"She was almost proud of the fact that her teeth were rotten, that her hair was grey...her skin was bad, she had needle tracks all over. She liked that. That was her aesthetic."

The above quote, attributed to  James Young - Nico's keyboard player from 1981-86 - summarizes the often harrowing watch that is filmmaker  Susanne Ofteringer's 1995 documentary, Nico Icon. It was Young who penned the fascinating on-the road-with-Nico . . .

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Jerry Jeff Walker :: About Her Eyes

The man behind “Mr. Bojangles,” songwriter Jerry Jeff Walker is best known for his progressive country work, a catalog that puts him squarely in league with Guy Clark, Townes Van Zandt, and Michael Martin Murphey. But Walker’s psychedelic credentials are firmly established too, going back to his early work with Circus Maximus, and wonderfully evidenced by his 1969 LP Five Years Gone. Included in a recent CD reissue by Raven Records alongside Mr. Bojangles and Bein’ Free, the album carefully folds psychedelic . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 341: Jean Michel Bernard — Générique Stephane ++ Pappy's Haunted House - Dude ++ Jimmy Thomas - Springtime ++ The Paragons - Abba ++ Big Star - Back Of A Car ++ The Soul Inc. - Love Me When I'm Down ++ Billy Lamont - Sweet Thang ++ Donn Shinn & The Soul Agents - A Minor Explosion ++ T.L. Barrett And Youth . . .

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AD Presents: Damien Jurado @ The Bootleg – May 18

If you have yet to check out Damien Jurado's new LP,  Brothers And Sisters Of The Eternal Son, you need to remedy that. And while you're at it, download Other People's Songs - his covers collaboration with frequent running buddy and producer, Richard Swift. Jurado is presently touring behind

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Neil Young :: A Letter Home

In almost 50 years full of sharp stylistic left turns and confounding career moves, A Letter Home has to be in Neil Young's top 10 most Neil Young-y moments. In case you missed it, Neil has spent the last year or so heavily promoting PONO, a new digital music delivery system that is allegedly as high-quality as it gets. So is his first post-PONO release an audiophile's dream come . . .

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Glen Campbell :: Guess I’m Dumb (The Shindig! – LA, 1965)

Filmed for ABC's The Shindig! - Los Angeles, 1965.

Reportedly originally slated for inclusion on the lp The Beach Boys Today!, Brian Wilson penned "Guess I'm Dumb" with Russ Titelman, before handing it over to his pal Glen Campbell. Hints of Pet Sounds abound. The instrumental track (with backing vocals) was released last year via the Beach Boys compilation, Made in California. That said, I'm curious if there . . .

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Los Angeles Royalty :: Ned Doheny’s Separate Oceans

It’s no stretch to call singer/songwriter Ned Doheny “Los Angeles royalty,” both by the circumstances of birth and his association with the vanguard of ‘70s breezy Pacific pop. Born into an oil fortune — with a street named for his family, a stately mansion, and a lingering mystery regarding a murder/suicide — Doheny lived a charmed life, taking to the guitar in his youth, eventually joining Jackson Browne, Linda Ronstadt, The Eagles, JD Souther, Judee Sill, Tom Waits, and others as a signee to David Geffen’s Asylum . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 340: Jean Michel Bernard — Générique Stephane ++ The B.C. Harmonizers — You Ought To Been There ++ The Blue Rondos — Baby, I Go For You ++ Rob Jo Star Band — I Call On One’s Muse ++ Cisneros & Garza Group — I’m A Man ++ Rolling Stones — We Love You ++   Courtney Barnett — Lance . . .

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Donald Thomas :: Black Night Is Calling Me Home (Demo)

Here's a little ditty culled from the the second installment in the Numero Group’s Local Customs series - 2010's Lone Star Lowlands. Mining the scene surrounding Port Neches, Texas between 1969 and 1974, the set represents a cross-breed of genres all touching on the various contemporary sounds of the day...pop, rock 'n roll, yacht rock, folk, boogie and beyond. Or as the Numero Group once described a not-for-sale comp: an alternate history of popular music.

Clocking . . .

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Mickey Newbury / Etta James :: Are My Thoughts With You?

Around the time when Mickey Newbury was working in Nashville as a hired gun, writing songs for some of the biggest names in country music, he was locked into a recording contract with RCA where he cut two albums of his own -- 1968's Harlequin Melodies and (the 1972 released) Sings His Own. Each record contains a few tracks not found on the other, but are otherwise the . . .

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Tommy James :: Midnight Train

Tommy James went solo in 1970 with a self-titled affair on Roulette Records. The album’s contents are not too far off from the likes of “Crimson and Clover” and “Crystal Blue Persuasion,” some real melodic psychedelic pop. However, side A contains a true outlier, a singular slice of underground cool by the name of “Midnight Train”. Kicking off with a pulsating beat and the wail of a distant guitar, the track sets an ominous tone before sliding into a seductive, almost hypnotic groove. We find . . .

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Clifton’s Corner :: Volume 22 – Sitar Soul

(Volume 22 of Clifton’s Corner. Clifton Weaver, aka DJ Soft Touch, shares some of his favorite spins, old and new, in the worlds of soul, r&b, funk, psych and beyond.)

Sometime during the 1960s it seemed almost every pop/rock group had the same idea, “let’s put a sitar on this!” The two most prominent examples are The Beatles’ “Norwegian Wood” and the Stones’ “Paint It Black”, but it was the Yardbirds who beat them both with an early version of “Heart Full Of Soul”. Regardless of who was first, or why, some of my favorite 60s tunes make use of the sitar and other eastern elements. Conversely, and just as interesting, is the effect that western artists were having on the music being made in the east. Musicians in India, Turkey, and beyond began incorporating sounds from psychedelia, pop, and r&b/soul to create some of the most compelling and truly progressive music of the era. The following sampling highlights nine of my favorites. Dig in and enjoy.

Phil Upchurch :: Sitar Soul - From the LP Lovin' Feeling, the jazz legend's take on the then prevalent Indian influence on pop music.

Larry Williams / Johnny "Guitar" Watson, & The Kaleidoscope :: Nobody - Interesting song by two r&b/soul greats collaborating with the L.A. psychedelic rock band.

Timebox :: Don't Make Promises - Timebox were a popular mod/club act that bridged the gap between British pop and psychedelia. Here they cover Tim Hardin's composition.

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Originals: The Story Of Gil Scott-Heron — Full Documentary

Gil Scott-Heron died three years ago this month. His 1994 LP, Spirits, has been on repeat of late, prompting a recent YouTube dig unearthing the following BBC documentary from 2004, which is streaming in full in six parts.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST. Cold Splinters' Jeff Thrope guests during the first hour of today's show.

SIRIUS 339: Jean Michel Bernard — Générique Stephane ++ The Beach Boys - The Warmth . . .

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