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AD Presents: Twin Peaks – The Mercury Lounge, Oct 2nd – NYC

Wednesday night, October 2nd, AD presents Twin Peaks at the Mercury Lounge, NYC. No Diane, Dale Cooper, Laura Palmer or Donna Hayward. No midnight trysts over the border at One Eyed Jacks. Instead, itinerant fuzzy rock & roll from a bunch of young Turks who call Chicago home.

Tickets availble for purchase, here. We have a few pairs . . .

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Spacemen 3 :: Come Down Easy (Demo)

Released ten years ago, the Forged Prescriptions collection not only re-sparked my interest in Spacemen 3, but introduced what I now consider to be the 'definitive' version of several tracks - none more so than the   demo version of "Come Down Easy". A demo, yes, yet one that nearly renders other attempts superfluous. Reacquaint yourself, below.

Spacemen 3 :: Come Down Easy (Demo)

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The Complete Tom Waits Storytellers (Unedited)

There is little to no argument that Tom Waits is one of the longest standing bullshitters in the history of popular music. As such, upon the release of his 1999 Mule Variations lp, he graced television screens everywhere appearing on an episode of VH1 Storytellers. With his gruff voice and a cherry-picked ad hoc band of loyal outsiders in tow, Waits spun a good yarn on . . .

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Mazzy Star :: Seasons Of Your Day

Most people anticipating the return of Mazzy Star this month got their first taste nearly 20 years ago, playing "Fade Into You" on repeat (or rewinding the deck, as it were) over and over and over and (seriously) over again. After a few hours of this, they'd give So Tonight That I Might See an honest go in full, start to finish, before turning back to the practice of stop, rewind, play, over and over and over and (yes) over again. After about a week of that, by measures of necessity and near-boredom, they'd let it finally turn over to track two (for just the second time ever), and then track three and so on, until the saturation point. And then they'd go back and buy Mazzy Star's first record, She Hangs Brightly. And they'd love all of it just as much as "Fade Into You" because it was just like that song -- almost the very same in fact -- but without the monotony of stop, rewind, play, stop, rewind, play. It could give them a break without ever having to change.

People are gonna try to make Mazzy Star something they're not. I think we've all already been doing it. It's something like: Iconic '90s alt group that briefly sniffed at pop stardom before deciding they didn't like the smell. Returned to the quiet of overwrought artistry. Reemerged after 17 years with Seasons of Your Day, one of the most anticipated releases of 2013. Actually, that all sounds mostly true. But behind it, we're maybe inflating what Mazzy Star were a bit. We're forgetting that, despite some critical claim, Among My Swan was a mostly forgotten print that marked the band's walk off into the sunset. It didn't help at all, either, that they mostly shunned fame and were never entirely comfortable with the people part of the process -- shows, fans, etc.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 311: Jean Michel Bernard — Générique Stephane ++ Shin Joong Hyun   - I've Got Nothing To Say ++ The Upsetters - Taste Of Killing ++ Jacques Dutronc - J'Ai Mis Un Tigre Dans Ma Guitare ++ Dutch Rhythm And Steel Show Band - Down By The River ++ Fela Kuti - Lover ++ King Khan & The Shrines - Que . . .

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Bill Callahan :: Dream River

Dream River is a display of Callahan's peak powers, a masterpiece work documenting Callahan's aesthetic as a refined craft. Over his 20 plus years of making music, his voice has matured, deepened, become more controlled. The farther back one listens into his catalogue, back into the Smog years, Callahan's lyrical tone and delivery are more present, overt, whimsical (and, naturally, more juvenile). Superficially more fun but not nearly as expressive as his songwriting and performance on albums like Apocalypse

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This Festival Could Be Your Life: The Replacements, Riot Fest

(Last weekend the reformed reunited Replacements gigged at Riot Fest in Chicago. AD's Marty Garner was there. The following is his report.)

I hope I’m not being presumptive about the kinds of things the average AD reader gets up to when I say that it’s probably been a while since you’ve been in a full-on mosh pit. It’s okay. It had been for me, too. But moments into Rancid’s exuberant set this Saturday evening, which fell roughly halfway through the three-day battle of Chicago’s Riot Fest, I felt the crowd push and pull like a great wave, and the gulf opened and then closed around me. At one point, pinched between two dudes big enough to beat up Lars Frederiksen, I felt my feet leave the ground. I was literally forced to dance.

It’s in this way that it only makes sense for The Replacements (The Replacements!) to have played their first U.S. show in 22 years at Riot Fest, the punk festival that graduated from the Chicago clubs and celebrated its second year in Humboldt Park by booking just about every band to grace the pages of Michael Azerrad’s seminal Our Band Could Be Your Life: Dinosaur Jr., Mission of Burma (with Shellac’s Bob Weston manipulating the sound), Keith Morris’ pigment-deprived Flag, Bob Mould sans Hüskers. There was even a serviceable D. Boon in bizarro Sublime frontman Rome. X was there, and so was Peter Hook, who wore a lime-green t-shirt and casually tossed “Ceremony” into his Joy Division set.

You don’t need me to tell you what the crowds were like at these shows. Head-bobbing, appreciative, a slight fog hanging over the area in front of the stage. After a downpour on Sunday morning, a huge gap formed around the mudhole that is usually a baseball diamond situated near the front of the Roots Stage, giving one middle-aged Mission of Burma fan the room to wild-out to “That’s When I Reached for My Revolver” like it was 1981. That gap filled up with Against Me! fans before Burma even finished tearing down. Meanwhile, across the park, an aging Mike Muir was leading a circle pit the size of an Olympic pool through a battery of Suicidal Tendencies oldies.

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Aquarium Drunkard x Cold Splinters: Indian Summer – A Mixtape

Earlier this month Cold Splinters shared Indian Summer, a transitional/seasonal mix I put together for their ongoing Trail Mix series. As I've noted here in the past, if you like to get outside, Cold Splinters, helmed by Jeff Thrope, is both an essential and inspiring read. Thrope's also one of the few people who truly appreciates the fact I own volumes 1-6 of the Foxfire . . .

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Transfigurations 2013: Recent & Recommended Guitar Soli

2013 has already offered up an embarrassment of riches for fans of the guitar soli world, from necessary reissues of Lena Hughes and Don Bikoff to fresh masterpieces by Chuck Johnson, Glenn Jones and others. But there are still more six (sometimes 12) string explorations worth discovering.

First up is Nathan Salsburg's elegant Hard for to Win . . .

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Aquarium Drunkard Presents: No Jacket Required — CMJ 2013 — October 16th — Mercury Lounge, NYC

We’re heading to New York, so come party with us. Aquarium Drunkard — CMJ 2013 — No Jacket Required. October 16th at Mercury Lounge. Tickets available, here. More details next month. . .

White Denim ~ Jonathan Rado ~ Jacco Gardner ~

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Joe Barry :: I’m A Fool To Care

Down in the Crescent City where Desire meets the Mississippi, Ernie K. Doe smiles from the side of a pink palace packed to the gills with audio treasures both new and old; a trove called Euclid Records. Ask a clerk for an introduction to New Orleans’ music and he’ll more than likely reach for the second volume of The Cosimo Matassa Story. Cosimo is responsible for most of the Big Easy R&B you know and love. This . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 310: Jean Michel Bernard — Générique Stephane ++ The Acton 13 - More Bread To The People ++ Rob Jo Star Band — I Call On One’s Muse ++ Cisneros & Garza Group — I’m A Man ++ Rolling Stones — We Love You ++ Music Convention — Sitar Track ++ Shin Joong Hyun — I’ve Got Nothing To Say . . .

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Tom Waits :: San Diego Folk Festival / April 19, 1974

Early Tom Waits chestnut, sans band, accompanying himself on piano and guitar in his native San Diego, April 1974. I originally happened upon this recording several years ago via Captain's Dead, who is presently re-hosting the show during their pledge campaign.

Zipped download/tracklisting after the jump...

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Diversions :: William Tyler / Out West (A Tour Diary, Pt. 1 of 2)

Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing. This week we catch up with William Tyler, who's been touring behind his second solo lp, Impossible Truth, released earlier this year via Merge. It's one of our favorite records of the year - instrumental or otherwise. Below, Tyler's stream of consciousness reflections concerning his late-Summer North American tour out west. Tyler is presently touring Europe -- look for more US dates beginning in October.

I'm sitting in a hotel bar in Cincinnati, listening to the menacing and comfortably familiar electric sitar of Dave Stewart on Tom Petty’s "Don't Come Around Here No More". It's a little hard to fathom that I was on these same highways a month ago, driving from Nashville to Columbus to begin my three-week cross-country trek. As I type this, my computer auto corrects " cross" to "crisis ". Nice.

When I returned the rental car this Monday, the odometer read 13000 miles. It had been 5000 when my dad and I rented it. It was a gray Camry, new car smell, satellite radio, proud and clean and anonymous and hardly aware of the intense trans continental journey I was about to subject it to.

The continental divide is the latitudinal point that decides where the rivers' paths are guided: to the Atlantic or to the Pacific. I would cross this twice on the tour. Fuck man, 8000 miles on a rental? That's more than most people drive in a year. My carbon footprint is like Godzilla. The only way to neutralize it is to walk everywhere and just eat parsley out of my backyard for the rest of the year.

I spent a year daydreaming about the end of oil, the sprawl of America, the lure of the sleeping seemingly dead places off the interstate and hidden on the ‘blue highways’. Ghost towns of old or towns that were fast becoming ghost towns. James Kunstler and Richard Heinberg and Mike Davis were my mental tour guides and all of them would be horrified at how environmentally unsustainable my trek was. But hey, I’m a working musician. We’re not quite dinosaurs yet but we are still fighting for relevance just as much in this insane world, still having to justify our existence. Those big old town cars that Detroit used to crank out back when we had cheap gas are just like the rock stars of thirty (shit, twenty!) years ago who figured the party would never end and people would still want to pay for “art” forever. Anyway I saw my trip as a cross between Lewis and Clark, National Lampoon’s Vacation, and  Two Lane Blacktop.

People ask me all the time how I reckon with the magnitude of this country.   I always compare the size and scope and population to our relevant colleagues and peers: China, Russia, India, Brazil…It’s useless to try to compare the USA to anything but those guys. We’ve got too much land and too many people. We are a country of illusions/ delusions. Never gonna run out of land, never gonna run out of sky, never gonna run out of soil, never gonna run out of trees, never gonna run out of people. Ever since World War 2 ended the people here have craved some sort of unifying edifice to keep the linear thinking going: the interstate, the sprawl of fast food chains, billboards, rest-stops.

True Fact: Anywhere in America right now, you can turn on your radio and find Rush Limbaugh or the Eagles playing. I’ve been testing this thesis for almost a year.

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Catching Up With Califone :: The AD Interview

The sound of Califone has always been tattered: Delta blues grafted to clattering, deconstructed rock ‘n’ roll, synths hovering over buzzing, droning strings. It’s a patchwork of ideas held together by the worn voice of songwriter/sole constant Tim Rutili. But in the case of Stitches, the group’s first proper LP since 2009’s All My Friends are Funeral Singers, there’s a tangible connection to the process of assembling from existing parts . . .

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