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Booker T. & The MG’s :: Booker-Loo (1968)

As mentioned in the inaugural Videodrome post last month, the recurring series is an effort to highlight some of the more exceptional videos and/or performances we stumble upon out there in the ether. This week we're looking at some footage from 1968 -- an intimate live performance of Booker T. & The MG . . .

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 226: Jean Michel Bernard — Generique Stephane ++ The Black On White Affair - Auld Lang Syne ++ Michael Kiwanuka - Tell Me A Tale ++ Bill Withers - Better Off Dead ++ Ify Jerry Krusade — Everybody Likes Something Good ++ Amanaz - Khala My Friend ++ Wendell Stuart & The Downbeaters - Hey Jude ++ Santa Nguessan :: Manny Nia ++ Os Mutantes - A Minha . . .

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AD Presents :: New Year’s Eve With The Black Lips, New Orleans

Aquarium Drunkard presents Black Lips New Year's Eve at One Eyed Jacks in New Orleans. It's going to be nuts. We're giving away three pairs of tickets to AD readers via email (you can also purchase tickets here). To enter for a pair, send an email to blacklipsnye AT gmail.com with your full name and favorite record of 2011. Winners . . .

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 225: Jean Michel Bernard — Generique Stephane ++ The Walkmen - Christmas Party ++ David Bowie - Boys Keep Swinging ++ Iggy Pop - Nightclubbing ++ Gary Numan - Down In The Park ++ Gardens & Villa - Black Hills ++ The Walkmen - In The New Year ++ The National - All The Wine ++ Broadcast - Echo's Answer ++ Lower Dens - Tea Lights ++ Destroyer - European Oils . . .

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The Walkmen :: Christmas Party

The Walkmen have long employed mood and atmosphere into their sound as if they were a sixth member; as such they deftly capture the bittersweet, slightly inebriated, tone of "the holidays." The below track is their own take on the festivities, courtesy of 2004's Christmas Party ep.

MP3: The Walkmen :: Christmas Party
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Clifton’s Corner :: Volume Seven

(Welcome to the seventh installment of Clifton’s Corner. Every other week on the blog Clifton Weaver, aka DJ Soft Touch, shares some of his favorite spins, old and new, in the worlds of soul, r&b, funk, psych and beyond. — AD)

Usually I have a theme for these "Clifton's Corner" installments but for this one I wanted to . . .

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This May Be My Last Time Singing :: An Conversation With Mike McGonigal

Earlier this month we caught up with  YETI publisher Mike McGonigal, the man behind one of our favorite compilations of the year -- the Tompkins Square release This May Be My Last Time Singing:  Raw African-American Gospel on 45RPM, 1957-1982. A continuation of sorts to McGonigal's initial collaboration with the label, 2009's Fire In My Bones, the collection is a three-disc aural journey into the various corners of African-American gospel. Among other things, the below touches on YETI's beginnings, record hunting, tracking down source material and future reissue plans.

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

You can find our 2011 Year In Review, here.

SIRIUS 224: Jean Michel Bernard - Generique Stephane ++ Tinariwen - Tenere Taqqim Tossam ++ Crystal Stilts - Precarious Stair ++ Disappears - Halo ++ Girls - Die ++ I Break . . .

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Emmet Otter’s Jug-Band Christmas :: Soundtrack (1977)

It's the 14th of December. The egg nog is spiked, the Christmas tree is trimmed and Jim Henson's 1977 holiday epic, Emmet Otter's Jug-Band Christmas, is streaming on Netflix. If you grew up in the 80s this really needs no further explanation.  Here is the unsanctioned soundtrack. Welcome to Frogtown Hollow.

+ After the jump: Download and Video: Emmet Otter's Christmas blooper reel

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Aquarium Drunkard :: 2011 Year In Review

Here it is – our obligatory year-end review.   The following is an unranked list of albums that caught, and kept, our attention in 2011. As the criteria is comprised of full-lengths only, a number of worthy 7"s, singles and EPs didn't make the cut. Also, a point was made to not include too many reissues and/or compilations (something we mostly succeeded in). Go nuts.   Cheers - AD

Atlas Sound —  Parallax: No matter the incarnation, be it recording with Deerhunter, under his Atlas Sound moniker or releasing spontaneous, off-the-cuff, material via his blog, Bradford Cox continues to intrigue. His latest Atlas Sound endeavor, Parallax, is no exception. (buy)

MP3: Atlas Sound :: Terra Incognita

Kurt Vile - Smoke Ring For My Halo:  ’€¨A haunted psych-folk record, Smoke Ring is a potent sub-strain of American roots music more in the vein of Skip Spence and David Ackles than, say, Gram Parsons or Bruce Springsteen. In opener “Baby’s Arms,” Vile flicks a taut string that quivers across 10 tracks of cigarette warmth in a dark room. These are the 21st century blues as sung by a young Philadelphian.  (buy)

MP3: Kurt Vile :: In My Time

The War on Drugs — Slave Ambient: “My life is consumed with fear / I cannot believe the truth,” Adam Granduciel sings on “Brothers.” “Ohhhh,” he moans, “What am I feeling?” The whorling phase-shifting and barreling drums of Slave Ambient circle Granduciel’s twang like ambient tornadoes, the nauseous music mirroring the singer’s existential state. Harmonicas wheeze in loneliness as if pinging the void, lost in circles of guitars, but the steady thump of the snare drum moves the music along, like a train rolling through a morning fog so thick its conductor can’t see the tracks. (buy)

MP3: The War on Drugs :: Baby Missiles

Bombino - Agadez: Taureg guitar music is long-form, repetitive, trance-inducing. Young gun Bombino plays it with an unadorned, melodic style and a captivating personality–a fresh, unrefined interpretation. Agadez is studio hi-fi, but it has all Bombino’s live energy and showmanship. For a Western comparison: more slow motion duck-walker than psychedelic shredder.  (buy)

MP3: Bombino :: Tigrawahi Tikma (Bring Us Together)

Charles Bradley - No Time For Dreaming: On his first full-length, Charles Bradley shows just how far he's come from his “Black Velvet” James Brown shtick to become an original, bombastic performer in his own right. This record is solid NYC soul a la Daptone, and Bradley’s act stands out with personal songwriting that avoids stock and filler. (buy)

MP3: Charles Bradley :: The World (Is Going Up In Flames)

Roadside Graves - We Can Take Care Of Ourselves: An eleven track song-cycle concerning S.E. Hinton's The Outsiders, We Can Take Care Of Ourselves is Roadside Graves most ambitious work to date. In a deft and subtle move the band get inside the material without hitting you over the head with it.  Allusive and expansive, the album adheres to the conceptual, while showing the flourishes of growth in their sound.   (buy)

MP3: Roadside Graves :: Glory

Destroyer - Kaputt: A sonic redirection, Kaputt feels like easy-listening as viewed through a noirish lens -- coming out the other end darkened, damp and cynical. Dan Bejar’s voice, as ever, is the linchpin, intoxicating and ever so slightly mad as far-off nowhere horns and street-wet synths pull the landscape in around his words. Brilliant. (buy)

MP3: Destroyer :: Chinatown

Crystal Stilts - In Love With Oblivion: The first of their two releases this year, Crystal Stilts continue to prove their mettle on their sophomore album. For Doors apologists (raises hand, fuck you) the New York band scratches an imaginary itch -- one in which Jim Morrison fronts the '67 Velvet Underground at Warhol's Factory. Taste the whip! (buy)

MP3: Crystal Stilts :: Precarious Stair

Dirty Beaches - Badlands: ’€¨At first listen, Alex Zhang-Huntai sounds hungry, distant, and in need of a center -- stuck in a velvet haze of nowhere. But as you allow yourself to stop thinking about the deserted, grainy sounds he’s making, the pictures he’s painting, or the people in his stories, there’s this perfect moment of tranquility and space. (buy)

MP3: Dirty Beaches :: True Blue

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 223: Jean Michel Bernard — Generique Stephane ++  Minutemen - History Lesson Pt. 2 (Acoustic) ++ Minutemen - I Felt Like A Gringo (Acoustic) ++ Polvo — Feather of Forgiveness ++ The Jesus and Mary Chain — The Living End ++ 400 Blows — Down the Hatch ++ Coachwhips — I Made a Bomb ++ Veronica Falls — Beachy Head ++ Letting Up Despite Great Faults . . .

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A Christmas Gift for You from Phil Spector

If you have a window near, go ahead and look outside. Chances are, there are some Christmas lights up somewhere within view. In the coming weeks, you'll probably frantically brave mall crowds and horrific parking lot jams for last-minute gifts, wondering why it is that you avoid the mall for an entire year only to finally cave when it's impossibly chaotic, deafeningly loud and smells something like garland draped across a junior-high locker room. Nearly 50 percent of you have already seen It's A Wonderful Life this month, and roughly 92 percent . . .

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LA Gemstones Compilations :: The Rock Box/Pop Box, 10 Discs

If you liked LA Burnout, you will love these: The LA Gemstones Compilations - Parts One and Two. Comprised of ten discs (total) I caught wind of these two collections last summer with the release of their 'Rock Box' comp working backwards to the . . .

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Dennis Hopper’s American Dreamer: Soundtrack

During the post-production of Dennis Hopper’s surreal and unjustly-forgotten South American anti-imperialist western, The Last Movie (which would prove disastrous for his career upon release, yet go on to become a cult classic and one of Hopper’s own proudest achievements), the actor and director was the subject of a sort of loose, biographical documentary, filmed around his Taos, New Mexico home as he wandered . . .

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