This performance. There are no words . . .
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This performance. There are no words . . .
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In terms of Numero Group output, this one seemed to have slid in under the radar last year - the label's inaugural release on their Numerophone imprint, Niela Miller's Songs For Leaving. Culled from a "warped acetate cut at Variety Recording Service in 1962", Songs Of Leaving is the complete songbook of New York folkie Niela Miller. Miller's "Baby Don't Go To Town" would later be co . . .
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Roadside Graves cover "Downbound Train" on the upcoming Springsteen tribute compilation, Long Distance Salvation. Below, I asked the Graves' John Gleason to shed some light on the track selection, the band's reimagination of it and his relationship with the Springsteen's music. Gleason, in his own words, below. - AD
We were originally asked to cover “Open all Night” for this benefit tribute to become a member or log in.
Funky ass vintage fuzz jammer from deep Texas -- Cisneros & Garza Group's cover of the Spencer Davis Group's "I'm A Man".
MP3: Cisneros & Garza Group - I'm A Man
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Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.
Download the Matthew E. White Lagniappe Session, here....
SIRIUS 259: Jean Michel Bernard . . .
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In the early 2000s I was turned on to a website that was solely devoted to providing a history of Michigan's, and more specifically, Detroit's early rocknroll and garage rock scenes from the early-mid 60s. I have the site to thank for my first taste of early Bob Seger; and by that I mean the raw primordial shit that was a far cry from the spit-shined, ready for prime-time, Silver Bullet Band of the 1970s. Which brings us to 2010's Never Mind The Bullets: 1966-74, a fan-made . . .
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The Soul Lifters only 45; coming off like a Meters/Sly Stone hybrid. Funky Indeed.
MP3: The Soul Lifters :: Hot, Funky And Sweaty
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Montego Bay's Willie Dickson & The Playboys (doing their best James Brown) covering "Licking Stick". Released one year after the godfather laid the joint down via a two-part 7" single.
MP3: Willie Dickson & The Playboys :: Licking Stick
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"As Tears Go By" -- Mick and Keith penned it (their first original composition), Marianne Faithful crooned it and Singapore's Naomi And The Boys covered it, in 1965.
MP3: Naomi And The Boys :: As Tears Go By
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B-side off Cotton Jones upcoming Porchlight Records' 7" - limited edition (500 copies), black vinyl, Out August 21st.
MP3: Cotton Jones :: That Wheel
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Blues/garage/gospel/punk/folk...introducing New Orleans' Benjamin Booker. Via the Waiting Ones demos (2012).
MP3: Benjamin Booker :: Have You Seen My Son?
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Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.
Download The Orwells Aquarium Drunkard Session, HERE...
SIRIUS 258: Jean Michel Bernard — Generique Stephane ++ Lush — Breeze ++ The Vivids — Totally Sober ++ Savages — Husbands ++ Cat Power — Ruin ++ Spiritualized — Run ++ Dungen — Festival ++ Simple Minds . . .
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People like to call Kelly Hogan a “chanteuse,” but isn’t that really just a fancy French word for “she can sing her ass off?” The Georgia native cut her teeth belting it out in Atlanta with rootsy-jazzy-indie-indefinable The Jody Grind before moving on to the Rock*A*Teens, and then to Chicago, where she tried to quit music, but couldn’t. Nowadays, she lives in rural Wisconsin and sings with Neko Case (among many, many others). She recently released her fourth solo album (the first in 11 years) I Like To Keep Myself in Pain, which features songs penned by Andrew Bird, Robyn Hitchcock and Vic Chesnutt (among many, many others).
Last month, AD caught up with Kelly via telephone from her home in Evansville, where she was cooking dinner for her “dude,” who was about to go to work in the cheese factory.
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You get them first -- airs Friday on the Aquarium Drunkard show on SIRIUS XMU. Recorded June 2012 at Sunset Sound during the Orwells L.A. stint. Get this: The Orwells Remember When.
MP3: The Orwells :: Southern Comfort (Aquarium Drunkard Session) **
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The Dead Sea Scrolls of jazz. Thelonious Monk - Straight No Chaser: Produced by Clint Eastwood, the documentary is a medley/marriage between West German television documentarians Michael and Christian Blackwood's archival 1968 footage "of the groundbreaking modern jazz pianist and composer Thelonious Monk, including the only footage of the very private Monk off stage", and filmmaker Bruce Ricker's (then) contemporary behind the scenes look into Monk's . . .
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