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Colossal Gospel :: Circles

15 years ago I would have most likely stumbled upon this recording by way of a dubbed cassette; a decade ago via a hand scrawled, black felt-tipped, CD-R.   Over the past couple of years both have given way to a new homespun, easily produced/distributed, digital counterpart---Bandcamp.

Rooted in traditional folk music, Leeds, Alabama's Colossal Gospel is the songwriting and recording partnership of Stephen Weibelt and Chris Johnson. While reminiscent of modern practitioners such as . . .

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Tom Waits :: Never Talk to Strangers (LP Bootleg, 1979)

Recorded at the BBC Studios London, for the "Tonight In Person" show in July of 1979, this vinyl bootleg finds Waits working up material from his Asylum years. This particular performance hit the spot recently as I'd been spending a lot of time with Waits' transitional Heartattack And Vine LP---which ultimately reinvigorated an interest in the earlier catalog.

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Aquarium Drunkard: Lagniappe Sessions, William Elliott Whitmore

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,' - 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Welcome to the Lagniappe Sessions. Over the past few months I've been working in conjunction with some of our favorite artists as they cut exclusive covers paying tribute to some of their favorite artists. Today we kick off the series with Iowan troubadour William Elliott Whitmore whose new LP, become a member or log in.

SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

SIRIUS 202: Jean Michel Bernard - Generique Stephane ++ The Blue Echoes - It's Witchcraft ++ Eddie Beram - Riot In Thunder Alley ++ Bo Diddley - Bo Diddley ++ The Velvet Underground - I'm Not A Young Man Anymore ++ Prince Nedick - Back In The Day (I Can't Stand It) ++ Earth Girl Helen Brown - Girls Of My Dreams ++ Michael Kiwanuka - Tell Me A Tale ++ The Ify Jerry Krusade - Nwantinti/Die Die ++ Harry Nilsson - You Can't Do That . . .

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Daniel Moore :: Daniel Moore (1971)

Daniel Moore is one of countless songwriters in the history of early rock and roll music that, despite attaining a measure of financial success through their material, never quite made a name for themselves as artists in their own right. It’s a rather old and tired tale, but what makes Moore’s story so much more frustrating is that in the midst of penning bland, superficial radio hits for artists like Three Dog Night and B.W. Stevenson, he also crafted one of the greatest ‘back to the . . .

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Tom Waits :: Under Review 1983-2006 (Full Documentary Video)

After stumbling upon this the other day, it appears a number of the Under Review DVD series are now available (free) via YouTube. Following the standard Under Review M.O., the Tom Waits: 1983-2006 entry rounds up a number of music scribes (Anthony DeCurtis, Robert Christgau, Barney Hoskyns, etc) asking them to reflect upon the material at hand. As with the majority of the series, there are no shocking revelations to be found, but the 80 minutes devoted to Waits, early 80s, re-imagination of himself and career is an entertaining watch (and a nice primer for the curious).

Speaking of, has anyone picked up Hoskyns' recent Waits biography Lowside of the Road: A Life of Tom Waits? Thoughts? Good, bad, ugly?

Full 80 minute DVD stream after the jump.

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The Millennium :: I Just Don’t Know How To Say Goodbye

Fans of John Schlesinger's Oscar-winning Midnight Cowboy would do well to check out this piece When . . .

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Harry Nilsson :: You Can’t Do That (Alternate Take)

Aside from his entree into an enduring friendship with the Fabs, Nilsson's re-arranged cover of the Beatles "You Can't Do That" (featured on his sophomore LP, Pandemonium Shadow Show) was also his first hit on the U.S. charts. In true Nilsson form the track is rife with multi-tracked vocals and peppered with twenty-something references to other Beatles songs. And . . .

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Dale Murphy :: The Aquarium Drunkard Interview

We've noted our love of baseball in the past, so when the former National League MVP Dale Murphy launched a blog recently and used one of his early posts to declare his fondness for Wilco (and some other great bands), we were thrilled. As the best of the AL and NL prepare to clash for the 82nd time, we caught up with the seven-time All-Star for his first-ever interview about music.

Aquarium Drunkard: You made a lot of your fans really happy when you launched your blog and joined Twitter. What prompted you to get active online at age 55?

Dale Murphy: You know, it’s all kind of a big mystery to us 50-plus-year-olds, but my kids [ed note: Murphy has eight of them] were all saying “C’mon dad, you’ve got to get on Twitter!” I remember when it first came out and the founder said it’s just a conversation between you and your friends where you answer “What are you doing right now?” and I thought to myself “Man, that sounds so boring! I don’t know how long this idea’s going to last.” But then it just kind of evolved and I kept hearing about it, so I finally gave in--and I have to say, it’s been a lot of fun. When I first got on Twitter I was like, okay, who should I follow? So I was looking around in the Music & Entertainment section and I saw Wilco and I said, okay, I gotta follow Wilco. It was funny because when you first get out there, people are trying to figure out if you’re real or not and this one guy [tweeted] “This can’t be the real Dale Murphy. He follows Wilco and Trent Reznor.”

AD: One of your earliest blog posts was primarily devoted to your love of Wilco, but you also mention other lesser-known bands like Midlake and Local Natives. What’s currently in heavy rotation for you?

Dale Murphy: Ha. When my son Chad and I started doing the blog we had some funny names for it. One of my favorites was “Murph Listens To WHAT???” I’d probably still be listening to classic rock radio if it wasn’t for my kids because I didn’t really know what was out there. So I get a lot of tips from them and I also really like “All Songs Considered” on NPR for finding new music. WIlco’s always there in the rotation, but I have to say I really like this latest Decemberists record. I think it’s fantastic. I don’t even know what years some of the things I listen to are from, but the great thing is that it’s all new to me. I really like LCD Soundsystem. I can’t think of anything more different than them and Wilco, but I love that beat. Maybe it’s all that disco stuff I grew up with (laughs).

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The Creation :: How Does It Feel To Feel (US Version)

Nothing against the UK version of the Creation's "How Does It Feel To Feel," but it's this--the US version--that really isn't afraid to get its hands dirty. After all, this is the band that during their brief two-year run (1966-68) described their sound as "red — with purple flashes." At their best, the Creation banged out nuggets on par with the early garage-blasts of their countrymen, the Kinks, and "Feel To Feel . . .

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Black Merda :: Cynthy-Ruth

As much as I love the mid-seventies proto-punk that Death laid down via (the Drag City Records unearthed) For The Whole World To See, it's their Detroit brethren Black Merda that I've been heavily revisiting of late. Comprised of Anthony and Charles Hawkins, VC Veasly and Tyrone Hite, Black Merda worked a hard driving guitar . . .

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AD Presents :: DJ Soft Touch, A Mixtape

Over the past year I’ve been inviting some of my favorite voices online (and beyond) to guest DJ during my weekly radio show on SIRIUS/XMU. For those of you sans satellite radio we’ve been turning the sets into an ongoing mixtape series. This week we catch up with Los Angeles's own Clifton Weaver, aka DJ Soft Touch, who, along with Oliver Wang of Soul Sides, is my favorite rare soul, funk and r&b selector. I've never once heard the man spin without taking down at least   few notes that had me digging for weeks. I promise you his set here is no exception.

Soft Touch will be guest hosting the second hour of my show this Friday. Mixtape download and details after the jump…

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Leon Russell :: If I Were A Carpenter

Leon Russell's take on "If I Were A Carpenter" was laid down in a Nashville jam session in 1974 with a group of friends including fellow Oklahoman J.J. Cale. I'm sure I'm not alone when I say: can someone please release those sessions? Here, the self-described 'master of space and time' works up what might be my favorite version of the oft-covered standard---fooling with the lyrics a bit---turning the song into some sort of cosmic plea from . . .

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Hooray For Earth :: True Loves

If you attended this year’s SXSW festivities you eventually became increasingly aware of two things: “Jeremiah Weed” is actually a canned alcoholic tea beverage and Hooray For Earth is a band you’re going to run into at least three times a day whether you like it or not. You could throw a rock and hit any member of the group within a square mile’s distance of James Blake. They worked a rigorous schedule in anticipation of their Dovecote debut, True Loves. Theirs is the sound of memorable synth hooks, melodic euphoria and layers of rich vocals taking precedence over guitars, a theme that is constantly evolving -- and also standard practice -- in today’s fast-paced music release cycle and at any music conference like SXSW. The days of the guitar-based album may be temporarily behind us, but at least we have a growing stable of evidence in bands like Hooray For Earth to keep us excited about the future.

On True Loves, Hooray For Earth creates gigantic, glowing melodies and choruses that stretch far beyond what I expected. Unlike many bands that poke you with their gritty, choppy synths, there’s no vagueness (too much reverb) or confusion (hyperactive vocals) between the audience and the artist's message as Noel Heroux connects with casual, and sometimes commanding, vocal melodies. The cascading synths are also one of its selling points that may remind you of the swirling New Wave/Pop created by OMD. The pace is generally slower, but songs like “Last Minute”, “Sails” and “Same” are shining examples that are on par with the best material found on this year’s strongest albums.

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

SIRIUS 201: Jean Michel Bernard - Generique Stephane ++ Pixies - Bone Machine ++ Turf War - Cheers To The Years ++ Bleached - Dazed ++ Yellow Fever - Culver City ++ Black Lips - I Feel Alright ++ The Raincoats - Lola ++ Girls Names - I Lose ++ The Jesus And Mary Chain - Taste The Floor ++ Love And Rockets - Rain Bird ++ Ty Segall - My Sunshine ++ Johnny Thunders & The Heartbreakers - Born To Lose ++ The Almighty Defenders - Bow Down And Die ++ Ganglians - Jungle ++ Ramones - 53rd & 3rd . . .

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