Following July’s drop of “Lowered Shelf,” Monde UFO—the LA-based duo of Ray Monde and Kris Chau—return this month with “Lying on the Ground,” the next taste off their forthcoming debut, 7171, which sees release on Halloween via Monde’s own label, Universal Freeing Object . . .
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Happy Monday. It's bonus Transmissions time with Neko Case. Before this episode appears later this month in its edited and polished form in the regular feed, Aquarium Drunkard Patreon supporters get early access to this extended edition . . .
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All Chico Hamilton set. The NYC based collective interprets five tunes from the jazz drummer's 1965 album, El Chico. A record that bandleader Tom Csatari describes as "effortless music with pulse and an eye towards the unknown", he and his group suffuse the selections here with the same liberated and exuberantly searching ethos . . .
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The first time I heard Michael Chapman's music, it felt like a new yet familiar friend. I've learned so much from him--his work ethic, his sense of camaraderie during our times together on the road or in the studio, and as a guest at Wytree Farm, Michael and Andru’s lovely, welcoming home. I’ve been with Michael on a broken-down bus in the Bronx, on high-speed trains in Switzerland, on a bumpy flight over Spain. I've been a passenger in his Jaguar, speeding down the . . .
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Tropical Fuck Storm emerged out of the remnants of the furiously articulate, punk rock outfit, Drones. If anything, an even more unhinged vehicle for the scathing rants of frontman Gareth Liddiard, the band has grown, over three albums, into a messy, hyperverbal, supremely danceable monolith.
We recently caught up with Liddiard to discuss the frustrations of isolation, the unlikely persistence of creativity during lockdown, why conflict and contradiction make for the best songs, and what the band hopes for in the future . . .
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Back to the stacks. It's Aquarium Drunkard Book Club: Chapter Nine, featuring poetic music writing by Hanif Abdurraqib, Dead insider Steve Parrish, the lyrics of Robyn Hitchcock, John Higgs on William Blake, and the underground comix of Gary Panter . . .
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Tampa, Florida’s Stick Figures revered the Delta 5, opened for the Fall and caught the attention of John Peel in their short first run, churning out a clatter and rattle, jittering post-punk more in line with London or Manchester scenes than their native South Florida. The band made only one recording in its heyday, a four-song self-titled EP. That EP plus six additional unreleased studio tracks, two live cuts and a modern day reworking of their most chaotic song “Ellis Otivator Dub” make up the new Archeology compilation . . .
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‘Journeyman-auteur,' Craig Zobel, sits down with us for a career-spanning interview to discuss everything from Great World of Sound to Mare of Easttown and everything in-between . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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In the late 1980s, after a split with his Spacemen 3 partner, Peter Kember, Jason Pierce set out to make a new kind of music, less guitar-driven, more orchestral, founded on hauntingly simple melodies, but blown out with lush arrangements, blistering noise and free-wheeling instrumental improvisation.
This year, Fat Possum has begun reissuing the first four Spiritualized albums on vinyl. We talked to Pierce about his extraordinary 1990s run, his creative process, his influences and the way that music, when done well, can transport you into different times and different places . . .
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Welcome to Transmissions. Today on the show: Chris Swanson, co-founder of Secretly Group. This year marks 25 years of two of the flagship labels in the group, Secretly Canadian and Jagjaguwar, and to celebrate they’ve got tons going on—including SC25 Editions, which features titles by Damien Jurado, Anohni, Richard Swift, and more, as well as Merch, with net proceeds benefiting Bloomington’s New Hope For Families. Also of note: Jagjaguwar’s Join the Ritual, a Dungeons and Dragons-inspired release featuring Angel Olsen, Bruce Hornsby, Cut Worms, Jamila Woods, and many more. Swanson joined us to discuss . . .
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A bucolic atmosphere abounds on Corntuth's newest album, The Desert Is Paper Thin. For this set of warm, unhurried instrumentals, the Brooklyn-based producer is joined by Nashville’s Pete Finney on pedal steel. The sounds gathered here suggest musical accompaniment to positive aimlessness and open ended rumination . . .
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After wandering deep into the "devotional" tag results on Bandcamp, Daniel Chamberlin brings forth a look at the music of Timber Rattle, and the value of letting go what you're thinking . . .
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Dub The Millennium. First released in 1993, Manasseh's swirling medley of dub, reggae, electronic, ambient and UK indie. The original vinyl edition of the lp is home to ten tracks, the CD twelve. This matters as the eleventh track, "Souljah", is a high watermark of the album-long exercise in disparate fusion . . .
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A low-key highlight off 1967's Safe As Milk, the soulful doo-wop of Captain Beefheart's "I’m Glad" as transmuted in the hands of U.K. outfit, Swallow Cave. Steadily sedate, the four piece stays true to the original, yet imbue the material with a gloaming air of haunted, lovelorn reminiscence. Gauzy in approach, the captain's plaintive delivery finds itself supplanted by woozy production, languid vox and an atmosphere not unlike a lo-fi Julee Cruise . . .
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