SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 283: Jean Michel Bernard — Generique Stephane ++ Nirvana - Love Buzz ++ The Clash - 1977 ++ The Soft Boys - I Got The Hots ++ The Cure - Screw ++ Orange Juice - Falling And Laughing (BBC Peel Session) ++ The Smiths - What Difference Does It Make (Hatful of Hollow) ++ Girls Names - I Lose ++ The B-52s - Dance This Mess Around ++ Blur . . .

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Nick Cave & The Bad Seeds :: Push The Sky Away

It’s nothing new for Nick Cave to sound bummed out. Over his thirty-year career, the chief Bad Seed has groped his way around every dark corner he can find. Even at his hip-shakin’ freest--2008’s Dig, Lazarus, Dig!!!, his last record with the Bad Seeds--he sounds like he’s grabbing his crotch in the general direction of death and decay more than he is lauding life and good fortune. No matter. Cave’s particular gift has always been his ability to make darkness compelling, to render it real and horrible in a way that few . . .

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The Everly Brothers :: Somebody Help Me / Bonnie ‘Prince’ Billy & Dawn McCarthy

No stranger to collaboration, Will Oldham (the Bonnie 'Prince') once again finds himself working with Dawn McCarthy on the pair's new LP, What The Brothers Sang -- a 13 track tribute to the Everly Brothers, out today via Drag City Records.

An eclectic selection spanning the width and breadth of brothers discography, the pair navigate the Everly's stylistic canon paying homage to the brothers early 'classic' sound while dipping deep into the lesser known . . .

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Sevens :: The Replacements – Hold My Life / Good Day

On February 18th, 1995, Bob Stinson, founding member and former lead guitarist of the Replacements, was found dead in his Minneapolis apartment. While at the time it was suspected to be an overdose, it was later determined that the years of substance abuse had simply worn his body out. He was 35.

Bob Stinson's life is a key part of the story of the Replacements. He was the good-hearted, incendiary guitar player who powered the 'Mats' first five LPs with his chaotic, light speed guitar. The official story behind Stinson's dismissal from the band in 1986 was . . .

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AD Presents :: Bleached / Bowery Ballroom, NYC 4/23

We're back in New York. Aquarium Drunkard presents Bleached at Bowery Ballroom with Ex-Cops and Hunters. We're giving away five pairs of tickets. To enter, leave your name, email, and favorite Bleached 7". Winners notified Sunday. Tickets available for purchase, here

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

Download: Aquarium Drunkard Presents :: Ghost Capital IV (A Mixtape)

SIRIUS 282: Jean Michel Bernard — Generique Stephane ++ Darwin Teoria - De La Ceca A La Meca (Sally's Uptight) ++ Lee Hazlewood feat. Suzi . . .

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Catching Up With Angel Olsen :: The AD Interview

Like the Biblical angel, the Siren of Greek Mythology is often portrayed as a winged human with an arresting voice. The former might use the gift of song to guide a weary traveler through a harrowing pass towards the Promised Land; the latter, to wreck a sailing ship straight into the jagged rocks guarding the shoreline. When Angel Olsen sings, she straddles the line between shimmering beacon and dark temptress. Will Oldham remarked in an interview that a part she sang on “Time to Be Clear” from Wolfroy Goes To Town raised “a mixture of apprehension and satisfaction at the same time.”

Oldham took the Chicago-based chanteuse on tour with him back in 2010, enlisting her talents in both his backing band and the opener, the Babblers, a punk rock tribute to Kevin Coyne and Dagmar Kraus' 1979 album, Babble. The following year, Olsen lent her voice and her instrumental prowess to the aforementioned Wolfroy album. 2011 also saw Olsen release her first solo record, Strange Cacti, via Asheville NC’s Bathetic Records. It’s a peculiar and rewarding batch of songs that invokes the black and white Kansas of Judy’s Garland’s Dorothy.

Auarium Drunkard recently caught up with Olsen via the World Wide Web. It came as no surprise that when prompted with questions about ideal touring partners and favorite records  she mentioned Francoise Hardy and Candi Staton. Not only does she strike a resemblance to the former, especially on the cover of “Comment Te Dire Adieu”, Olsen feels the touch of both of those luminaries on her second LP,  Half Way Home, released by Bathetic last year to much acclaim. Listening to that record, one might also hear the influence of Nick Drake or  In My Own Time-era Karen Dalton. But it’s all Olsen when it boils down to it.   As for the Angel-Siren debate: following her singing might cause you to crash a time or two, but it’ll lead to salvation in the end.

Our conversation after the jump. . .

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Kurt Vile :: Wakin On A Pretty Day

Clocking in at 9+ minutes, while effortlessly retaining its coziness, this unexpected dose of new Kurt Vile marks the first taste from his forthcoming LP, Wakin on a Pretty Daze, out April 9th via Matador. King of the 21st century loll, I expect this and the upcoming Phosphorescent record to dominate Spring listening.

MP3: Kurt Vile :: Wakin On A Pretty Day

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Darwin Teoria :: De La Ceca A La Meca (Sally’s Uptight)

1970 Dutch fuzz monster. Throwaway elliptical bubblegum lyrics. Perfection.

MP3: Darwin Teoria :: De La Ceca A La Meca (Sally's Uptight)

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Aquarium Drunkard Presents :: Ghost Capital IV (A Mixtape)

Once again, we touch down in Portland, OR with the fourth installment of our Ghost Capital series. Helmed by Nick Barbery with an ear bent toward the obscure, esoteric and out-of-print, Ghost Capital digs globally mining the secret shafts of psych, folk, blues and beyond.

Twenty-four track download, notes, and playlist after the jump...

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The B.C. Harmonizers :: You Ought To Been There

The Fine Recording Studio Gospel Highlights: A vintage gospel compilation, its 25 tracks have aided an abetted many a cross-country trek since they came into my life several years ago. I included The B.C. Harmonizers "You Ought To Been There" on the latest Transmissions podcast, and a quick scan finds WFMU hosting the entirety of the compilation for download (gratis) via their website, including . . .

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Levon & The Hawks :: Pop Ivy’s, Port Dover, Ontario, CAN, 1964

"We have an announcement," says the drummer between songs. "There's lots of corn left! So alla you who feel like havin' a cob..." Just another glamorous gig for Levon & The Hawks, the group that less than a year later would be shattering folkie ear drums with Bob Dylan, and by decade's end would be known as The Band. Even at this early date, the Hawks were seasoned vets, having existed in one form or . . .

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Townes Van Zandt :: Sunshine Boy – The Unheard Studio Sessions And Demos, 1971-1972

Though he made plenty of them over his career, Townes Van Zandt was not particularly interested in studio recordings. He was a songwriter first and foremost, a performer second, and a record-maker a distant third, preferring to let producers and session men do the heavy lifting when it came to laying down his songs on tape. While this might have worked for some -- Bob Dylan created great art out of a kind of anti-record making -- well, there's a reason that the most beloved Van Zandt album is become a member or log in.

Yo La Tengo :: Fade

Recently, I was thinking about artists who have been around awhile and whose work has been labeled as 'influential' at one point or another. Thirteen albums into their career, Yo La Tengo certainly falls into that lot. But what makes a listener care about their new music? It's an interesting question. Why should I care about Fade when I have Painful and I Can Hear the Heart Beating as One in my collection already? More over, does this new music lend a different lens through which to examine their older work? What, potentially, makes this essential Yo La Tengo listening?

Fade is defined by its opening and closing tracks. They are the two longest songs on the album and in the case of the former, it gives the record its defining lyrical mood. "Ohm," as the track is called, has a homophonic double meaning. "Nothing ever stays the same / nothing's explained...'cause this is it for all we know / so say goodbye to me / and lose no more time...resisting the flow." Ohms, of course, are the SI unit for electrical resistance, but it's also pronounced the same as the mystical syllable that is used in Hinduism, Buddhism and other religions to represent, among other things, the single vibrating sound that connects all of the universe. And "Ohm" is nothing if not a vibrant and hypnotic song. As the consistent drum beat propels the song through its time, everything seems in service of the song's whole sound. Nothing is out of place, nothing distracts from the song's mantra. "Before We Run," the album's closing song, is made by its horn section, a triumphal song of uncertainty, of eyes-forward and of counting on the support of others to grow and evolve. If "Ohm" is the beginning of Fade's chant, the beginning of its meditation, then "Before We Run" is the closing moments, the finishing breath.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 281: Jean Michel Bernard — Generique Stephane ++ The Bellys - Chow Chow ++ Mikal Cronin - Apathy ++   Fuzz - This Time I Got A Reason ++ The Creation - How Does It Feel To Feel (US Version) ++ Canarios - Trying So Hard ++ De La Ceca A La Meca (Sally's Uptight) ++ Johnny Thunder - I'm Alive ++ The Shadows - Scotch . . .

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