Menomena :: Mines

The fact is, I really want you to like Menomena. In particular their latest, and third LP, Mines. I could go on and on about the songs, the amazing composition, the intricate sounds and layers they incorporate, about the fact that this is a band that uses a computer program one of the members invented himself and not just the setting on a . . .

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Weird

Not sure how I had never seen this gem before (high five, Reid). Like a lost Jonathan Richman project from another dimension, Son Seed (?) kicks out the jams with "Jesus Is My Friend." So many "special" moments...too many to go into here. Wow.

+ Download DRM free music via eMusic’s 35 free MP3 no . . .

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J. Tillman :: Three Sisters

I heard "Three Sisters," the first track off J. Tillman's forthcoming LP, Singing Ax, last Spring while sitting in Josh's van on the side of Glendale Blvd. It was just after dusk when the ghost of Steve Albini's old drum machine, from the Big Black days, came crunching through the speakers midway through the track. Consistently stark, Ax is some next level shit in the Tillman catalog. This . . .

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Ryan Adams w/ Gillian Welch :: Revelator (2000)

I hadn't heard this in years. Pulled out a hard drive today in order send this track to a friend as we had just been discussing Gillian Welch's Soul Journey LP from 2003. The following cover of "Revelator," off Welch's album of the same name, has a Crazyhorse feel with Ryan Adams leading the charge backed by David Rawlings and Welch during . . .

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Fool’s Gold :: Montreal, Quebec July 20th

(AD's m. garner, exiled in Montreal the past two years, takes in a Fool's Gold show in the north country.)

It’s been hot this summer in Montreal. We’ve broken into the triple digits with the heat index (that’s the upper thirties if you keep score in Celsius), and a slick blanket of humidity coated the streets for much of July. There was a rush on fans. The metro, like most people’s homes, isn’t air-conditioned; people have driven around aimlessly, choosing . . .

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Sparkle Moore :: Good Girls Gone Bad (Wild, Weird, And Wanted)

Wanda Jackson is, and shall always remain, the undisputed queen of rockabilly, but Sparkle Moore's incredibly brief career will always hold a special place in the imagination. Her entire vibe is surreal. If she had not existed, David Lynch and Angelo Badalamenti would have surely created her, if only for a picture or two. Releasing just a handful of sides on Fraternity Records in the fifties, Moore's delivery, cadence, phrasing and lyrics were uniquely her own---she also rocked a pompadour worthy of become a member or log in.

Commander Cody :: Lost In The Ozone

Certainly one of the classic country-rock records, Lost In The Ozone was Commander Cody's first disc released back in 1971 (MCA). The original group formed sometime around 1967 in Ann Arbor, Michigan. Eventually they would relocate to San Fransisco and become a major live phenomenon. The group were led by pianist George Frayne (Commander Cody), vocalist/harp player Billy C. Farlowe, pedal steel player . . .

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Talking Heads :: Psycho Killer, Television Appearance, Circa ’78

Love both the intro and outtro here. Owns the studio version. Filmed for Old Grey Whistle Test, London, England. Qu'est Que C'est. Fa fa fa fa fa fa fa fa fa far better . . .

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Jackie DeShannon :: Trouble (Leiber/Stoller)

Fellow Elvis weirdos know that sometimes you just have to track down every conceivable version of the man's hits. So it was with Jackie DeShannon's cover of the Leiber/Stoller penned "Trouble" made famous by the king in his film King Creole, and seriously revamped in the '68 Comeback Special. A very early entry in DeShannon's career, the track was efficiently used this past week during the . . .

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Ty Segall :: My Sunshine/Melted

Most of the "new" music I'm interested in these days is the aural equivalent of throwing gasoline all over an amp/guitar/whatever,   flicking a lit cigarette on it and watching it burn. And yeah, that's a good thing. I'm more than happy to take a pass on the whole Thompson Twins-esque stuff that's passing for 'innovative' right now. I instinctively get off on crunchy, fucked up, rock & roll --- the kind of stuff Ike Turner and the gang started 50 years ago with their blown out and brokedown, newspaper-stuffed, amplifier on . . .

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AD Presents :: Scottie Diablo’s The Crap Out, A Mixtape

Over the past six months I've been inviting some of my favorite voices online (and beyond) to guest DJ during my weekly show on SIRIUS XMU. For those of you sans satellite radio we've been turning the sets into mixtapes. They range from the sunkissed 70s grooves of Rising Storm and Cold Splinters to the blown out bootcut of DJ Turquoise Wisdom, with a delicious side of international taboo courtesy of Ponytone. Today we catch up with impresario/manager/gentleman Scottie Diablo.

Entitled THE CRAP OUT, Diablo's two-part mix draws completely from the burgeoning 90s underground garage rock circuit. Memphis...London...Detroit (and beyond) are all represented. Listening to this mix in 2010 is a fierce kick in the ass from a time (not so long ago) when "lo-fi" and "garage rock" weren't just music PR buzz words.   So go ahead, indulge your inner teenage delinquent and press play.

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Sonny & The Sunsets :: Tomorrow is Alright

Occasionally, when the mood strikes, I'll make seasonal recommendations, and folks, today is one such occasion. Newly reissued by Fat Possum, Sonny & The Sunsets' LP Tomorrow is Alright (originally released in 2009 via Soft Abuse) deserves a place in your summer soundtrack. Tailor made for sunburns, balmy nights and road trips, this is a record that already sounded good, and now, having given it the obligatory beach/campfire test, I'm reminded why some . . .

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Bob McFadden And Dor :: The Beat Generation

Sure, Richard Hell may have taken more than a few liberties with "Blank Generation," but what's that old adage again; "good artists borrow, great artists steal"? Before Hell dubbed his generation 'blank,' Bob McFadden and Dor were talking their own jive on "The Beat Generation" parodying all the hep cats that were emerging on the "scene." Can ya dig?

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Pitchfork Festival: Day Three, Chicago

J. Neas reporting from the final day of the Pitchfork Music Festival in Chicago at Union Park. A hard and fast thunderstorm tore through the park area right before kick-off today and the result was a muggy, hot afternoon. But as I said yesterday, Sunday was no slouch of a line-up, and it seemed bands were determined to make sure people remembered today as the best of the weekend.

The first band I caught was L.A.'s Best Coast. Bethany Cosentino and the band put on a fantastic set. However, I wish they had been just a bit louder as the A stage would prove to be a problem for B stage performers off and on throughout the day. Sounds bleeding through were worse than in past times and it made for a bit of confused listening at times if you weren't solidly close to the B stage. They did "Boyfriend" and that was more than enough to satisfy me when it was time to go catch Girls on one of the main stages. Opening with "Laura," the band performed a dynamic set full of ballads and pure noise that was sequenced beautifully. Christopher Owens teased the crowd when, later in the set, people began shouting out for lead track "Lust for Life." "Yeah, we don't do Iggy Pop covers," he deadpanned. But they soon ran through one of their best songs in excellent form.

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