Aquarium Drunkard Presents: Tele Music Mix Volume 1

Back in the deep, bleak, pandemic dog days, Be With Records struck a deal with the legendary Parisian library music catalog, Tele Music to reissue the very best, most sought-after LPs in the catalog. With much of this music now commercially available for the first time, the series of albums recently reissued presents an expansive grip of heavy funk, drama-jazz, deep disco, synth-wave, psych-rock, cosmic soul and beyond . . .

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Chad VanGaalen / Astral Swans :: Split EP

Home-recording psychonauts Chad VanGaalen and Astral Swans share the sides of this fun and beguiling little EP. The longtime collaborators from Calgary, Alberta have played a role in each others’ recording sessions since the late aughts, and both stayed busy. For the past three years, CVG has performed live electronic scores to silent films as his Black Mold alter-ego, while singer-songwriter Matt Swann recently teamed up with Julie Doiron . . .

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No Way Out: An Oral History of Sunburned Hand of the Man: Time Goes Way Back

This is the last episode of the podcast! We start with comments from Sunburned members reflecting on the impact of press coverage and ensuing exposure on the band. This shifts to general comments about how they’ve navigated – and oftentimes defied – external expectations. This section closes on the role humor has played in the band. Then we shift to comments and stories shared by friends, collaborators, and fans of Sunburned Hand of the Man, including thoughts from Thurston Moore, Ethan Miller, Neal Campbell, and more! We close out the episode and the podcast with a final thought from each of . . .

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Catching Up With Devendra Banhart

We caught up with Devendra Banhart to discuss his 11th album, Flying Wig, his artistic partnership with Cate Le Bon, his 20-year-delayed concert in Caracas, and the music that, now as ever, he is bubbling over with enthusiasm for. We also explore “Charger” perhaps the most Devendra Banhart song ever, which starts out wide-eyed to the point of parody about the most mundane of things, then touches profundity as the lens widens to cosmic revelation . . .

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Celtic Guru :: Van Morrison In The 80s | Poetic Champions Compose

In a run of overlooked records, there is one absolute sleeper in Van Morrison’s catalog. Coming in at the end of an era – a string of releases that showcased an artist in constant transition, attaining pinnacle after pinnacle, and pushing his craft into a realm that, while never expected, certainly doesn’t surprise the close observer of Van’s arc – is a release that only the most adherent of followers seem to dare give a spin. As if perfected, Van leans in on the methods established on No Guru, No Method, No Teacher and Sense of Wonder, trading spiritual . . .

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The Lagniappe Sessions :: Prairiewolf

Listen and you'll hear it...the howl of the Prairiewolf. On their self-titled debut, guitarist Stefan Beck (Golden Brown), keyboardist and synthesist Jeremy Erwin (The Heat Warps), and bassist Tyler Wilcox (who Aquarium Drunkard and Doom and Gloom from the Tomb readers know well) explore kosmische drifts, nocturnal guitar tangles, and expressively jazzy passages. For their first-ever Lagniappe Session, they dive into selections by Yo La Tengo, Melvin Jackson and Eddie Harris . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Transmissions Live at PRS September 30 :: The Esoteric Sounds of Arthur Russell with Matt Marble

Los Angeles, we are pleased to share word of Aquarium Drunkard Transmissions live at the storied Philosophical Research Society in Los Feliz on Saturday, September 30th with Matt Marble, author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell . . .

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A. Savage :: Several Songs About Fire

Several Songs About Fire, the second solo release from Parquet Courts frontman A. Savage, is an LP in the truest sense. There are 10 tracks across two sides, forty-five minutes and change. There is a picture of the artist on the cover. The songs are strong and solid, at once distinct and of a piece, shot through with themes and ideas that recur and refract from one moment to the next. These are tried-and-true strategies, the hallmarks of one of the very finest mediums ever conceived: the album. Don’t fix what ain’t broke . . .

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Sarah Webster Fabio :: If We Come As Soft Rain

Circa Folkways Records, 1976 — Sarah Webster Fabio’s “If We Come as Soft Rain” is a gentle, timeless gem from her album Jujus/Alchemy of the Blues: Poems by Sarah Webster Fabio, one of four poetic recording albums released by the Oakland-based educator, poet, and literary critic . . .

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Transmissions :: Colleen

This week on Transmissions, we welcome returning guest Cécile Schott, aka Colleen. Her latest, Le Jour Et La Nuit Du Reel, was tracked using a minimalistic setup, a Moog Grandmother and two delays: a Roland RE-201 Space Echo and a Moogerfooger Analog Delay.
But for Schott, this assemblage allows for near infinite synthesis, and a genuine multitude of expression. As the world gets stranger and more difficult to understand, the record wordlessly questions what is real—and the times of day and night when the line between real and imaginary blurs . . .

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Diversions :: Grails

Grails’ history stretches back to the late 1990s, with the Portland, OR-based collective fearlessly exploring various galaxies over the course of several absorbing LPs. Their latest masterpiece, Anches En Maat, suggests that they’re nowhere near finished with those explorations. Here, Grails dive headlong into a sleek, neon-lit zone — one you can imagine providing the awesome soundtrack for a prime-era Michael Mann flick, with a welcome dose of David Axelrod drama tossed in for good measure.

With a European tour looming, Grails shared some inspirations and influences with Aquarium Drunkard. Heady times await . . .

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Equipment Pointed Ankh :: From Inside The House

Blasting out of Louisville, Kentucky, is the mutated and industrial avant-pop of Equipment Pointed Ankh. Released at the top of the year from Bruit Direct Disques, From inside the house, the third album from the band—currently billed as a quintet comprising improvisers Jim Marlowe, Christopher Bush, Dan Davis, Ryan Davis, and Shutaro Noguchi—is an envelope-pushing statement of sonic adventure . . .

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Catching Up With Teenage Fanclub

Recently, the venerable power pop juggernaut known as Teenage Fanclub released its 11th studio album, Nothing Lasts Forever, some 34 years after bursting on the scene. The new disc marries the roar of noisy guitars with the sweetest sorts of melodies, and like those earlier albums, it represents a band doing exactly what they like. We took the opportunity to talk to Ray McGinley and Norman Blake about their career so far, their early albums, their partnership with Alan McGee of Creation Records and their fixation with loud, feedback riddled bands like Sonic Youth and the Stooges, as well as . . .

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