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Mild High Club :: Skiptracing

Mild High Club is the vehicle of LA-based Alex Brettin. His sophomore lp, Skiptracing, due out in August via Stones Throw, is landing at a perfect time. Occupying a hazy, humid space - not unlike the one Ariel Pink, Conspiracy of Owls and early Unknown Mortal Orchestra have previously helmed - Brettin’s cool, grooving blend of lo-fi psych, lounge, and exotica deftly sates that sweet seasonal Pacifica jones.

But it’s not all cocktails and swimming pools. 70’s noir oozes . . .

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Malombo :: Pele Pele

"Ex Africa Semper Nova Aliquid" / Out of Africa, Always Something New

Picked this up on the cheap at a shop in LA a few weeks back, Malombo's 1976 Pele Pele LP via Atlantic. Comprised of guitarist Phillip Tabane and his nephew, percussionist Gabriel Thobejane, the album is a 40 minute, at times hypnotic, fusion of South African jazz in the Mboube tradition. Rounded out with electronic effects and a heaping of humid atmosphere, the results are an intoxicating fîªte.

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Herbie Hancock :: The Twilight Clone

I caught Herbie Hancock in Montreux, Switzerland last week at the Stravinski Auditorium. Presently in  the studio laying down tracks for his next LP, Hancock was briefly in town supporting the festival's 50th anniversary. Assisted by the trio currently backing him on his forthcoming record, the evening kicked off with an opening overture teasing the forthcoming set. It was, in a word, funky.

Clocking in at an hour, the set was tight and heavy on Headhunters-era Hancock -- see: "Chameleon" > . . .

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Mike Adams at His Honest Weight :: Casino Drone

Bloomington’s Mike Adams has been percolating just under the radar for a few years now, honing a blend of shoegaze, dream pop, and ‘70s singer/songwriter  charms. His latest, Casino Drone, out now on Joyful Noise Recordings, is his best and most touching  yet, full of the kind of songs you feel like you’ve heard a dozen times before but can’t quite place. It’s great in a specific, lived-in way; the guitars alternate hefty and woozy, and . . .

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Ultimate Painting :: Dusk

Ultimate Painting, the collaborative pairing of James Hoare (of Veronica Falls) and Jack Cooper (of Mazes), return September 30th with the release of their third lp, Dusk, via label home Trouble In Mind Records. First taste off the new album, "Bills", below . . .

Per the genesis of the track, Jack from UP notes "(we) wanted to do something that . . .

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Exactly What I Need: A Mixtape – Songs That Are Sacred, And Songs That Might As Well Be

In times like these, music is exactly what we need. The songs collected here span the divides that separate country from folk and rock; organized religions from new-age cults; and sacred songs of devotion from wasted secular blues. Major label releases by well-known seekers are represented alongside recordings of Christian youth groups and outsiders'  self-financed  vanity projects. Regardless of whether you worship Jesus, Shiva, or some bearded hippie guy in a robe, these songs will lift you out of the darkness and take you OM. words / become a member or log in.

Skid Row / Phil Lynott :: New Faces, Old Places

Pastoral acoustic guitar, sylvan flute: both ornament a gentle song lamenting the government's displacement of the singer and his “old dad” in order to erect a new highway through their homestead. Before Phil Lynott was leading Thin Lizzy through the thundering “The Boys are Back in Town”, “Jailbreak” and other machismo-laced hard rock anthems, he was lead vocalist on this 1969 song as part of an Irish group called Skid Row (not to be confused with the 80s hair band of the same name).

The track . . .

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Eggs Over Easy :: The Aquarium Drunkard Interview

Eggs Over Easy represent a distinctly American branch of the pub rock tree, a group of singer/songwriters who banded together to create a raw, punchy style of rock & roll and ended up playing a year-long residency in London at the infamous Tally Ho, which helped inspired Nick Lowe, the Stiff Records gang, and the punk rock movement which followed pub rock's flare up.

The whole story is traced remarkably on Yep Roc's Good 'N' Cheap: The Eggs Over Easy Story,  which collects the band's entire recorded output, including remastered versions of the  1972 debut Good 'N' Cheap, produced by Link Wray in dusty Tucson, Arizona, the band’s second album Fear of Frying  and previously unheard London sessions recorded by Animals bassist and Jimi Hendrix manager Chas Chandler.

Rolling from rustic country funk to revved up rock & roll, the Eggs are well represented by the set as roots rock forebears. AD caught up with founding members Austin "Audie" De Lone and Jack O'Hara (the set is dedicated to late Egg Brien Hopkins) to discuss the band's formation and playing no-frills jams in front of prog and glam rock fans.

Good 'N' Cheap :: Don't Let Nobody

Aquarium Drunkard: Eggs Over Easy are considered pub rock pioneers. When did you first hear that term and what did you think of it?

Jack O'Hara: I never heard it until years after we left London. To me, it didn't mean much. But in the many years that have passed, I can see the significance of it...We came back to the States and went about our business and had no real idea about the impact that particular moment had.

Austin De Lone: We probably first heard of it somewhere mid-'70s...at that point we knew our buddies Nick Lowe and Brinsley Schwarz and Bees Make Honey had this groovy scene going [in London] and that there were a lot of places to play. When we started, we played at one club, the Tally Ho, and that was ground zero for pub rock pretty much. From then, a bunch of others bands and pubs jumped on and that's when it became a real scene.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 439: Jean Michel Bernard — Générique Stephane ++  Quincy Jones — Hummin’ ++ Harare — Give ++ Jingo — Keep Holding On (pt. 1) ++ Dwight Sykes — Bye ++ Alton Memela — The Things We Do In Soweto ++  Gene Boyd — Thought Of You Today ++ The Montgomery Express — The Montgomery Express ++ The 4th Coming — Cruising Down The Street ++ Trinidad . . .

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James Booker :: Montreux Jazz Festival, July 1978

Spiders on keys, indeed. I'm heading to Zurich in the morning to catch a train to the jazz festival in Montreux, Switzerland -- something akin to a pilgrimage to mecca. I was first hipped  to James Booker sixteen years ago via a live solo recording from the early 70s. And that was it – there was no turning back, I had to hear it all. Prior to the omnipotence of the Internet, much of Booker’s life outside of the recordings themselves was a mystery comprised of hearsay, exaggeration and half-truths. In fact, much of what I initially cribbed concerning the late Booker’s life was thanks to excerpts from the excellent (now back in print) Dr. John biography “Under a Hoodoo Moon.” Wild/fascinating tales that only stoked the Booker mythology.

I featured the following 1978 live recording (recorded at the Montreux Jazz Festival) back in October of 2005 as part of the original Live Upload Series. I’m re-upping it here. I’ve collected a number of live documents from this New Orleans piano master, and Live at Montreux is by far my favorite. Pearls on black velvet, the set is essential listening for Booker  acolytes and New Orleans piano disciples alike. Very raw arrangements with Booker backed by a loose electric pick-up band that just swings.

Download / tracklisting after the jump. . .

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The Lagniappe Sessions: Adan & Xavi

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

From recording in the living room of John and Yoko's Manhattan apartment, to songs purloined while traveling through Argentina and recorded back home in Paris, this installment of the Lagniappe Sessions catches up with musical co-conspirators Adan & Xavi. The pair's new lp,

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 438: Jean-Michel Bernard — Générique Stéphane ++ Sun Ra - Springtime Is Here ++ Harlem River Drive - Idle Hands ++ Nina Simone - Be My Husband (Live, 1987)   ++ Little Stevie Wonder - Soul Bongo ++ Red Garrison - Taboo ++ Alexis Korner's Blues Incorporated - Early In The Morning ++ Quincy Jones - Hikky-Burr (Take 2) ++ The Headhunters . . .

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Ohioan :: Empty/Every MT

Last summer, we teased the release of Tucson avant-roots combo Ohioan's Empty/Every MT, and upon its release last month, our initial hopes for the record were strongly confirmed: it's the strongest and most developed work from songwriter O Ryne Warner (formerly of Castanets)  yet. Blending diverse influences, from Malian  blues to . . .

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Transmissions Podcast :: Idris Ackamoor & the Pyramids / Eleanor Friedberger

Welcome to the fourth  episode of Aquarium Drunkard’s Transmissions podcast, our recurring series of in-depth conversations and unexpected sounds..  On this week's episode, we're splitting our time with two unique artists.

Up first is Idris Ackamoor,  leader of the intergalactic combo the Pyramids, whose new album We Be All Africans . . .

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