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Curtis Mayfield :: Jesus

If you’re driving around and “Jesus” comes on the radio, pull to the side of the road, park the car, and sit with the song until the last note. That’s what I did the first and only time I heard Curtis Mayfield sing it over the air. Sunday morning cruising down Camp Street in New Orleans, LA. God Bless WWOZ. “Don’t think that I’m any saint,” he warns, “‘cause I can’t do nothin’ for you.” Nonsense. This turn at the pulpit is mighty enough to bring . . .

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Lux Interior Swallowed A Microphone And Made Me Hate Ted Nugent Forever

Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing.

Boys and girls, the circus is coming to town...or in this case, Guided By Voices and Bobby Bare Jr. are gigging Friday night at the Fonda in Hollywood. The club is, indeed, open. Bare not only has has a new LP out (Undefeated), but is the subject of filmmaker William Miller's new documentary, Don't Follow Me (I'm Lost). As such we took this opportunity to catch up with Bobby as he waxes on the transformative music of his youth, growing up in Nashville, TN.

Bobby Bare Jr., in his own words, below...

In late 1982 my parents bought the first VCR machine available to the public. It was HUGE. It weighed about 100 lbs and covered the entire top of our television. It looked like a smashed  microwave with a trap door that rose out of the middle of the top where the VCR tapes would go. Lucky for me my Dad bought a bunch of pirated tapes and one of those was a music movie called URGH: A Music War.   It's a showcase of all the new underground bands from the late 70s/early 80s. The film "stars" The Police but includes many of the other most popular "NEW WAVE" bands including  Devo, The Go-Gos, Oingo Boingo, X, XTC, Echo and the Bunnymen, Gang of Four, OMD, Toyah Willcox,  The Cramps, Surf Punks, Jools Holland,  Joan Jett, Pere Ubu, Gary Numan,  and more. IT TOTALLY FREAKED ME OUT.

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Father John Misty :: Trouble (Cat Stevens) / The Hal Ashby Story

Yup, that's Hal Ashby - filmmaker/renegade/iconoclast. And this is Father John Misty covering Cat Stevens' "Trouble" - a track originally birthed via the soundtrack to Ashby's film Harold & Maude in 1971. This, the Misty treatment, comes courtesy via director Amy Scott's forthcoming

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Behold The Yellow King: The Music Of True Detective

Ushering in the opening credits, HBO's juggernaut True Detective begins with the Handsome Family’s “Far From Any Road" -- a song that sets the tone for what has quickly become one of the most talked about, and critically lauded, shows of 2014. If you have yet to dig in, you need to. Living legend T. Bone Burnett plays sonic consigliere and is responsible for the series musical direction and supervision. It's his guiding hand that colors each episode, pulling from the past seven . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST. Second hour of today's show can be found HERE...

SIRIUS 344: Jean Michel Bernard — Générique Stephane ++ Glen Campbell - Guess I'm Dumb ++ The . . .

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Range And Basin: Sonoran Roots, R&B, And Hard Rock 1966-1978

Range and Basin: another set of songs from the Grand Canyon State, or spiritually rooted there, a follow up to our Old Gold: Sonoran Country, Garage Blues, Pop, Soul and Avant-Garde from Arizona 1951-1971 mix from last year. Sunbaked soul, psych, country, garage, and folk, some culled from the archives of historian John “Johnny D” Dixon.

Range And Basin: Sonoran Roots, R&B, and Hard Rock 1966-1978 (49 min.)

tracklisting after the jump....

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Tony Owens :: I Got Soul

Turn those lights way down. I Got Soul, by New Orleans’ Tony Owens. A gritty, no frills, southern soul monster from the late 60s and early 70s, this collection (released by Grapevine Records) has had me reaching for little else than old soul and r&b sides of late. Check the title track, and if you dig it, beg, borrow or steal the whole . . .

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Parquet Courts :: Sunbathing Animal

Because of the type of music they play – proudly traditional alternative rock ‘n’ roll that finds its genesis in The Velvet Underground and stumbles forward from there – and because they do it well and in a way that’s altogether fresh, Parquet Courts were doomed from the start to be over-discussed and misunderstood. On Light Up Gold, their breakthrough second release, the Brooklyn quartet shot from the canon, positioning themselves as heirs to their genre’s great riches. Hearing it . . .

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Dead Notes #8 :: Alligator (5/18/68 Santa Clara, CA)

Welcome to Dead Notes #8 where we find our steadfast pranksters in the pivotal years of 1967 and 1968. Long gone are the proto-psychedelic fuzzy garage jams, replaced with long, exploratory suites awash in subtle instrumental and explosive feedback passages as the band weaves from one song into the next. Deep into the recording of their way-over-budget ‘thick air’ opus, Anthem of the Sun, (which finally sees it’s release in the second half of the year) they enlist of help of their old friend, later renowned lyricist, Robert Hunter. Hunter, living remotely in New Mexico and loaded on LSD, crafts a beautiful, allegorical dig at the riffraff who had recently flocked to San Francisco, aptly entitling it “Alligator”. For his efforts he is handsomely paid $250, which he then blows on a used car as he skips town for the Northwest and a job restringing beads on necklaces. Thankfully, the car breaks down and he instead wanders back to his friends in San Francisco. In turn, “Alligator” becomes a big-teethed, bugged-eyed second set monster as the band morphs into an aggressive 7-day-a-week touring machine.

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Dance of Death: The Life of John Fahey, American Guitarist

In his new book, Dance of Death: The Life of John Fahey, American Guitarist, author Steve Lowenthal cites a review of John Fahey’s performance at Hunter College in New York by the Village Voice’s Paul Nelson in 1975:

“His guitar-playing is a deliberate mixture of psychology, order, mythology, poetry, and genre–all very exact, with . . .

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Bry Webb :: Free Will

Once and future Constantines frontman Bry Webb opens his second solo record with a song called “Fletcher.” Like many of the best songs Webb wrote for his old band, it’s a song of defiance and a testament to individual will, and it’s buttressed by the kinds of ready-made credos that turned Constantines songs into statements of purpose: “What I need I carry with me,” he sings at one point, later adding, “Tell . . .

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The Rock*A*Teens :: The Aquarium Drunkard Interview

“In that they were ‘arguably’ the best American rock ’n roll band of the ’90s, it is safe to say that the Rock*A*Teens were also the most underrated American rock ’n roll band of the ’90s.” - Dan Bejar, Destroyer

Rock*A*Teens fans have had a lot to be thankful for of late. First up was the announcement their label, Merge, had plans to reissue the band's fifth and final LP, Sweet Bird Of Youth on vinyl for the first time...but the real kicker was the news that a tour was on the horizon - their first in a dozen years. Which brings us here. This coming weekend finds the band gigging in their native Atlanta (June 6 & 7 at the Earl) with one of our favorite locals supporting - Carnivores. As such, we asked Carnivores' Philip Frobos to sit down with Rock*A*Teens' Chris Lopez at Argosy in east Atlanta. Their conversation after the jump...

The Rock*A*Teens :: Don't Destroy This Night

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Kip Anderson :: Without A Woman / Clarence Carter :: Soul Deep

The early 60s saw Kip Anderson as both a soul singer and a disc jockey. Born in South Carolina, Kip found little success with his inaugural singles and fell back on a career as a radio dj, something he was good at but nowhere close to where his voice needed to be. He slowly got back in the game with a string of hits that leveled out around 1966 when this song was released. In the years of his upward climb to success, Kip made his . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 343: Jean Michel Bernard — Générique Stephane ++ T Rex - Explosive Mouth ++ Parquet Courts - You've Got Me Wonderin' Now ++ David Bowie - Boys Keep Swinging ++ Iggy Pop - Dum Dum Boys ++ The Damned - New Rose ++ New York Dolls - Looking For A Kiss ++ Modern Vices - Pleasure Gun ++ Trailer Trash Tracys - Candy Girl (Demo) ++ Twin . . .

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