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Sevens (90s One-Hitters) :: Daisy Chainsaw/Love Your Money

(Sevens, a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

AD is spending the month of May looking at some one-hitters from the 90s; an age rife with overlooked “alternative” gems from the days of 120 Minutes and the just below-the-surface power-pop scene that was bursting with great music. Sevens takes a look at a handful of these singles.

You wouldn't know it anymore, but people of a particular vintage know how important a role MTV played in shaping, exposing and breaking music in its first 20 years of existence. This extended from the station's left-of-the-dial video shows (120 Minutes, Headbanger's Ball, Alternative Nation, Yo! MTV Raps, etc.) into their stabs at more traditional programming. And for me, nearly as important as those video shows was Beavis and Butt-Head. My first exposure to Pavement, the Butthole Surfers and even Wilco came through the video watching segments of the show. But so did my first exposure to some bands who would be as momentary as those others would become legendary.

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Richard Swift :: Drakula (Hey Man!) /Laminar Excursion Monthly

Our friends at Flannelgraph Records just hooked us up with the upcoming, six-song, Richard Swift EP (Laminar Excursion Monthly Volume 9). A co-release with Crossroads of America, 'Wolfman' is available later this month on 3" CD. Dig that. Just in time for Weird Summer II.

MP3: Richard Swift :: Drakula (Hey Man!)

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The National :: High Violet

The world in which the five members of The National–and, I suspect, at least 90% of AD readers–live and move and gesture towards being is a wide, wide space with very low ceilings. It is a world in which many things are possible but very few of them provide any kind of lasting satisfaction, and the redlands near the edge of the horizon grow more terrifying, desolate, and unpopulated as they cease to be explored. The freedom to do and fail at anything tends to keep people . . .

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Originals :: Almost Blue/Fakebook

Last week, while discussing unofficial compilations, I suggested that readers share some if their favorites in the comments. In doing so I asked myself the same question. While a number come to mind, I want to highlight a set that was put together by the now defunct music blog Setting The Woods On Fire. In scope, the site---named after the great Hank Williams tune---focused on the glory days of old C&W and the disparate genres, and artists, it orbited (or vice versa).

A couple of years ago the blog featured two separate compilations: Almost Blue - The Originals, and Fakebook - The Originals. The two sets rounded up the songs covered on Almost Blue (1981) and Fakebook (1990) by Elvis Costello and Yo La Tengo, respectively. Besides acting as an interesting (and entertaining) exercise in the roots of two great albums, the two compilations,   juxtaposed side by side, also (unintentionally?) highlighted the similar places both Costello and YLT were in their careers at the time of each release. In 1981 Costello was far more well known for his acerbic post-punk wit and snarl than the multi-faceted artist he is today. The majority of his audience (at the time) seemed to have little use for an LPs worth of Nashville Country & Western. Likewise, in 1990, Yo La Tengo covering Cat Stevens, The Flying Burrito Brothers and Rex Garvin, was a far cry from the guitar histrionics off there previous catalog. Since then both artists have incorporated a wide variety of styles and influences into their work, but at the time of release both LPs were a sort of game changer.

The Fakebook compilation is pretty self-explanatory covering the aforementioned Cat Stevens, Rex Garvin, Burrito Brothers as well at Beat Happening, Gene Clark, Flamin' Groovies and others. The Almost Blue compilation rounds up its source material from both the artists specifically cited by Costello (as the inspiration) as well as those who also covered the material (re: Patsy Cline). Both compilations work on multiple levels whether your a fan of the covering artists or simply interested in the source material displayed under a new guise. As Setting The Woods On Fire is no longer active, the two sets can be found in zipped format after the jump.

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AD Presents :: Jacuzzi Boys @ Five Star Bars, Thursday May 20th

Thursday night, May 20th, Aquarium Drunkard presents Jacuzzi Boys with Wounded Lion at Five Star Bars in downtown L.A. We're giving away several pairs of tickets for the show. Wanna chance to go? Hit up the comments and leave your name and email address. Winners will be notified with tickets held at will-call. High five to Crista for making this happen.   18+ -- 267 S. Main Street LA, CA . . .

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Yuzo Kayama :: Black Sand Beach/Violet Sky

Google the name Yuzo Kayama and you'll note that he's "a Japanese popular musician and film star born in 1937. His father, Ken Uehara, was one of the most popular film stars in Japan during the 1930s.   Yuzo himself became one of Japan's biggest stars of the 1960s in the Wakadaishō, or Young Guy film series, as an actor."   In short, Kayama was what you'd call a renaissance man. But in the span of   the double . . .

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

During the second hour of today's show I am airing the Happy Hollows AD session which you can download, in its entirety, at Web In Front.

SIRIUS . . .

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A New Kind of Mambo :: Volumes One Through Nineteen

In 2010 it's all too easy to lament the state of the music industry, with its declining album sales, record store closures, etc.   I miss that stuff too, but also firmly believe that for non-complacent, hungry music lovers--for the heads with a sense of history--we are living in a very, very exciting time.

As I've stated multiple times in the past, the best compilations being released/traded these days are of the bootleg variety---read: the non-sanctioned ones. I am blown away every few weeks by another fan-curated collection ranging from obscure soul to regional post-punk. Often spanning multiple volumes, these, more often than not, are very high quality audio rips complete with artwork, detailed notes, photos and a sense of why the fan/curator loves the music in question so much.

I mention this as I recently happened upon an nineteen volume (at time of posting) compilation over at the blog the Twilight Zone meticulously put together by a mysterious Johnny Q. The focus of the series is highlighting old r&b, soul, rock n roll, wavy gravy, blues, obscure garage and rockabilly that all shared a common love of the caliente beat. Eclectic and immeasurably cool, this series will no doubt soundtrack my summer. After the jump I'm linking to the original posts for each volume. Get on these before they disappear and a big High five to this Johnny Q.

In the comments: We've all have stumbled upon unofficial comps that have quickly become favorites. Please share your discoveries with the readers in the comments below.

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Buffy Sainte-Marie :: Helpless (Neil Young)

Arranged and produced by Jack Nitzsche, her husband, Buffy Sainte-Marie's version of Neil Young's   oft-covered "Helpless" still ranks as a favorite. I've been putting together a streamlined collection of Nitzsche affiliated production work over the past few months and just recently re-discovered Marie's take. Like all great covers, it cuts to the essence.

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The Charades :: Flamingo (1964)

Staying on the Cramps tip for minute, I thought some of you would dig the following; a vinyl 45 rip of the Charades doo wop cover of Duke Elligton's "Flamingo," which was played at Lux Interior's memorial service. Beautiful, perfect...transcendent. Hat tip to Office Naps for the vinyl transfer . . .

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AD Presents :: Warpaint/Priestbird @ The Bootleg May 8th

Saturday night, May 8th, Aquarium Drunkard presents a co-headline bill: Warpaint/Priestbird at the Bootleg Theater. We're giving away several pairs of tickets for the show. To enter: send an email to aquariumdrunkardcontests at gmail.com with your full name along with the name of Warpaint's new drummer. Winners will be notified with tickets held at will-call.

MP3: become a member or log in.

The Hold Steady :: Heaven is Whenever

Killer parties almost killed The Hold Steady, but then they didn’t. Hallelujah swept up the spotlight; she cleared the dust that kept coming up after all those killer parties. And then we all got up to have a real sad time together but it ended up being not all that sad; that killer party almost saved us, but it didn’t, so we died. And when it all got bloody and we all fell down together, not even Joe Strummer could save us, and we all gently raised our hands like . . .

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Sevens (90s One-Hitters) :: For Squirrels/Mighty K.C.

(Sevens, a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

AD is spending the month of May looking at some one-hitters from the 90s; an age rife with overlooked "alternative" gems from the days of 120 Minutes and the just below-the-surface power-pop scene that was bursting with great music. Sevens takes a look at a handful of these singles.

For Squirrels' album become a member or log in.

The Bitters :: East General

Siouxsie and the Banshees' debut album The Scream (1978) is a beautiful rash of music and personal moment of clarity for yours truly, a rite of passage if you will. It scratches and burns with reckless fury, hammering drums and a snarling, brutal style that scares the shit out of most parents. It was also the gateway record that pointed me in the direction of influential bands like The Smiths . . .

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Keith Richards :: Umano Non Umano (Film), 1969

Eat your heart out Jonny Greenwood. That is indeed Keith Richards in Mario Shifano's 1969 film Umano non Umano.

+ Download DRM free music via eMusic’s 35 free MP3

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