Posts

Link Wray :: 1971 S/T Masterpeice

Not surprisingly (because the tune is the absolute shit) a bunch of folks enquired as to the name/origins of the Link Wray song that opened up yesterday's show on Little Radio (for those who missed it, it will be posted in podcast form later this week.)

The track is "La De Da" off Link Wray's self-titled 1971 album, which I . . .

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Got To Get Better In A Little While…

If you're at all into classic, blues based, rock & roll from the early '70s, the wah pedal and general vibe of this song will absolutely melt your face. Clapton's guitar, all wah'd out, sets the mood immediately.

While I can live without the majority of Clapton's work from the mid-seventies onward, Derek & The Dominos sole album Layla is beyond essential. It is the crown achievement of the man's career. This become a member or log in.

Little Red Shoes :: Mama, Why Is Daddy Runnin’?

Loretta Lynn's (excellent) collaboration with Jack White, Van Lear Rose, produced, quite possibly, one of my favorite spoken word story-songs ever. Entitled "Little Red Shoes," what some may have viewed as a throwaway track, I found to be the cornerstone of the album. Amidst the more rocked up atmosphere of the affair was this oasis of pure become a member or log in.

Joseph Plunkett & The Weight :: Re-revisited

Being that An Aquarium Drunkard's two year anniversary is right around the corner, I am taking the opportunity to revisit some some artists in past posts whose music is rarely, if ever, reported on. I can't think of a more perfect example than Joseph Plunkett & The Weight.

This will mark the third time - in 24 months - that I have posted these five tracks hoping to turn on new fans, and perhaps get an update on what Plunkett has up his musical sleeve these days. Last we heard, the . . .

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A.D. Show (Wednesday) :: Guest DJ – Ross Flournoy

Tune in to Little Radio, Wednesday 2-4 pst, for the Aquariun Drunkard Show. Drunkard pal, and Broken West-er, Ross Flournoy will be guest DJ'ing with me while his band is in LA for three weeks before hitting the road again, this time teaming up with The National and a bunch of other fine folks . . .

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The Replacements :: Pleased To Meet Me

There is really not much one can say about The Replacements Pleased To Meet Me that hasn't already been said a thousand times in a thousand different contexts.

There are two different camps of Mats fans; those who prefer the band's earlier material rooted in punk, and those who prefer the bands output beginning with the transitional 1984 album become a member or log in.

Richmond Fontaine :: The Aquarium Drunkard Interview

Portland's resident americana outfit, Richmond Fontaine, will see the stateside release of their eighth album, Thirteen Cities, May 22nd. Having already received near unanimous praise upon its European release, the group's chief songwriter and vocalist Willy Vlautin sat down with AD to discuss the evolution of Richmond Fontaine's recorded output and the . . .

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Paul McCartney :: Monkberry Moon Delight

In the past ten days I've had almost identical conversations with two different people, in two different circumstances, about Paul's vocal delivery on "Monkberry Moon Delight," off his second solo LP, 1971's Ram. This maybe my favorite of Paul's performance "voices", as it is rough, quite possibly coke-fueled, and perfect for the tunes energy and tossed off lyrics.

Grapevine: There . . .

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The Equals :: Viva Equals

The Equals: It's the late sixties in the UK -- how do you describe these guys? Garage, r&b, freakbeat, rock & roll? All encompassing hybrid? Sure.

Note: If you're looking avoid import prices, you can get The Equals at eMusic.

Download:
MP3:
The Equals :: Mary Jane
MP3: The Equals :: Diversion

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Bongos Ikwue :: Woman Made The Devil

I've been a total freak the past twelve months for foreign artists, often from the "third world" -- during the sixties and seventies -- playing original music as processed through a distinctly American filter. A number of the best finds have been on various compilations, both in and out of print, meticulously put together by obvious music fanatics. It's really easy to get caught up in these.

The backstory is typically the same, no matter if the artists in question are from Ethiopia, Lagos, or South America: American Folk, Soul, Rock & Roll, Jazz and R&B are heard through the . . .

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