We’ve been blessed with a bunch of Robbie Basho archival hauls in recent years. But the latest unearthing—Songs of the Great Mystery—might be the best of them all . . .
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As Mute Duo, pedal steel guitarist Sam Wagster and percussionist Skyler Rowe drift and rage with unusual grace. Best known for collaborations with Ryley Walker, Bill MacKay, Ben Lamar Gay, and Tim Kinsella, the two players stretch out gloriously on their latest, Lapse in Passage, which twists and churns within the heady post-everything frame work that has flourished in their hometown of Chicago, evoking loose-limbed spiritual jazz, inverted exotica, and ragged improv . . .
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The Mother Stone is a collection of fifteen tracks entirely out of step with whatever modern trends are currently gripping independent music. It feels peerless, out of time, from a different dimension. It isn't a record you can play quietly in the background as you respond to emails. It requires headphones. Focus. Attention. Which isn't to say it isn't any fun. Because it is . . .
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The music of Mary Lattimore is at once intimate and cosmic—her unfolding and widening harp epics connect outer expanses to inner realms. No matter the context, Lattimore's musical voice resounds as a calming and clear one. Which is why, as the pandemic blues really kick in, Transmissions hosts Justin Gage and Jason P. Woodbury rang her up to discuss adjusting creative practices, dealing with daily anxieties, and narrow down which Succession character is least despicable . . .
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Bandanna-clad mouth into the mic, via satellite, transmitting from northeast Los Angeles, the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays . . .
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...the golden period from the 1970s into the early 80s when jazz in Japan came into its own identity and sound.
100 minutes of library groovers - dance floor bangers - funky fusion - modal swingers - big band stompers - jazz rock psychedelia and the impeccable sound of TBM are all represented . . .
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Meditate for awhile on this one — a 25-minute portrait of Go Hirano, filmed at the musician's home in Kamakura, Japan earlier this year by Vincent Guilbert . . .
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On the self-produced Yene Mircha, Ethiopian jazz legend Hailu Mergia is joined by two other stalwarts of the post-revolution ‘70s music scene: traditional vocalist Tsehay Kassa and saxophonist Moges Habte, a cornerstone of the Walias band horn section. “The idea is to bring back the influence of the ‘70s sound and mix that with the new sound,” says Mergia. “I think that’s what I’m working with . . .
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From the same dusty Case Logic binder that recently brought you Bob Marley & The Wailers @ The Record Plant, here are two shows of curve-flattening funk from 1977 . . .
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Ether access basement broadcasts. Transmitting from the hills of Glassell Park, Calif., welcome to episode one of the Aquarium Drunkard picture show.
Feat: Dungen / Cave / Mwandishi Band / Devendra Banhart / L’Eclair / Can / John Martyn / Serge Gainsbourg / Pink Floyd & more . . .
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On his new lp Third Album, Montreal's Markus Floats rewards deep listens with emotive electronic melodies, granular textures, and mesmerizing arpeggios. It’s the culmination of Markus’s work so far, but like the hyper-prolific artists he cites as influences—Prince and Fennesz—also just one drop in his deep pool . . .
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As last year's astonishing Iowa Dream showed, the posthumous Arthur Russell well is far from dry. The man lived and breathed music for his short time on the planet, and we're extremely fortunate to be able to explore his beautiful/beguiling imagination. Compared to his studio work, there are relatively few documents of Russell as a live performer — which is why this 35-year-old tape is so precious . . .
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For over thirty years, the Australian trio has amassed a body of work that is amorphous, always in flux, and changing with each new studio recording or live performance. To listen to the Necks is to embrace the ephemeral and reject the absolute. Assembled together, all those moments—stored as physical music or kept in the memories of spectators—make up something monumental. What the hell: something definitive . . .
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Underneath the bunker, via satellite, transmitting from northeast Los Angeles. SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Like his mentor Sun Ra, Ahmed Abdullah understands the power and significance of a name. Diaspora, the combo he leads with Monique Ngozi Nri, stands for "Dispersions of the Spirt of Ra," and they joined AD to discuss the continual recreation of Ra’s music, Afrofuturism, and the possibilities of the future . . .
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