Catching up with AD, Stuart Staples shed some light on the process behind this new record, the importance of looking forward, why he doesn’t like his music in TV shows, the music he comes from, and more . . .
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In a year loaded with albums turning fifty, few have retained the genre-defying staying power and influence of In A Silent Way. Recorded during a single three-hour session in July 1969 with producer Teo Macero, the album marked a decisive and definitive turn for both Miles Davis and the future of jazz. Meditative, moody and minimal in approach, this was the calm before the storm as the following year would witness yet another reinvention of Davis with the release of Bitches Brew . . .
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The Aquarium Drunkard Show on SIRIUS/XM radio ~ Channel 35. Wednesdays / 7pm California time + on-demand. This week we are running through the first two hours that comprise our Decade feature . . .
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A pair of collaborations with Bill Nace and Xuan Ye find chik white's jaw harp sounding simultaneously natural and unnatural, alien and intimate, beautiful and sickening in all of its gobbing glory . . .
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Over the course of the past decade, San Francisco's Moon Duo has drifted among the clouds, emitting bursts of spacey shoegaze and mellow psych. The duo’s latest, Stars Are the Light finds them headed toward an icy disco party somewhere further out than previously traveled. Parkas required . . .
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Working in tandem with producer/guitarist Michael Krassner, Pocket Moon features ace contributions from drummer Ryan Jewell, multi-instrumentalist Joshua Hill and guitarist Max Knouse, among others. Together, the ensemble creates an easygoing but rich tapestry, subtly and sensitively boosting the roughhewn melodies and ruminations. The overall result is one 2019’s best LPs – and a career highlight for Joyner . . .
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Boys and girls, All Hallows’ Eve is here, and you’re tuned into the October edition of the Transmissions podcast. The veil is thin and we're back with another round of discussions and digressions. In this episode, Chicago's Whitney discusses Forever Turned Around, the group's sophomore lp. Then, New Age pioneer Don Slepian takes us back to the early '80s. And to close out, a long ramble about Nick Cave and the Bad Seeds' haunted instant classic, Ghosteen . . .
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Broadcasting from the Hollywood Forever Cemetery … The Aquarium Drunkard Show. The Halloween edition, Wednesday night / 7pm California time. SIRIUS/XM ~ Channel 35 . . .
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Well, that was fast. Decade is just about over, and as it draws to a close, its highs look awfully high in the rearview. Presented here, an unranked sprawl of 100 records that stuck with us, managing to break through the noise of an increasingly distracting age, and stick around in our heads . . .
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So we didn’t exactly get Year of the Horse, part II in 2019. But we did get another Neil Young and Crazy Horse album, Colorado, released a little over 50 years after Everybody Knows This Is Nowhere introduced the world to this extraordinary pairing. Amazingly, three out of the four musicians who made that epochal 1969 LP are still onboard – and together they still sound like no one else . . .
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As Dead & Co. fire up the machine for their fall outing, a remarkable stash of the early ‘80s Deadhead zine MIKEL provides a DIY window into what life on Grateful Dead tour was (sur)really like in the early ‘80s, before 1987’s In the Dark blew the band into the top 10 and football stadiums . . .
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If Phil Spector wanted to hit listeners with a wall of sound, studio wizard Curt Boettcher set out to melt their minds with a soaring sonic wall of pure California sunshine . . .
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Wood, texture and light. The Aquarium Drunkard Show on SIRIUS/XM radio ~ Channel 35. Wednesdays / 7pm California time + on-demand.
34.1090° N, 118.2334° W . . .
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Strut Records released a killer compilation last month, Alefa Madagascar: Salegy, Soukous & Soul from the Red Island 1974-1984, documenting the synth dance boogies and call-and-response folk rhythms that grew out of the island’s cross-pollination of cultures. One particular cut has been on steady repeat as of late: "Izahay Mpamita” by Mahaleo . . .
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On the heels of the excellent Fountain Fire, Bill MacKay returns with his second LP of 2019, this time alongside “Chicago’s first lady of the cello,” Katinka Kleijn . . .
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