Broadcast :: Sixty Forty (Nico cover)

Broadcast’s cover of Nico's “Sixty Forty,” taken from their final Peel Session recorded in July 2003, finds the group exploring the perfect middle ground between the (then about to be released) cracked pagan kaleidoscope of Haha Sound and their next move, the searing minimalist cut-up Tender Buttons . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Hoping For A Replacement :: After The Gold Rush Re-Imagined

After The Gold Rush’s downbeat-but-irrepressibly melodic songs would also find their way into the repertoire of many other artists. Hoping For A Replacement re-creates the album using a selection of these covers. There are future superstars, like Bette Midler and Linda Ronstadt. And then there are more obscure names, like Hookfoot, Julie Mairs and the Dutch band Teenmakers, whose “Southern Man” you have to hear to believe . . .

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Transmissions :: A Conversation With Jesse Jarnow

For this episode of Transmissions, we're joined by author, WFMU DJ, and historian of all things "heady," Jesse Jarnow. With society in a state of monumental flux, it felt like the perfect time to ring Jesse up to discuss the radical possibilities of the current moment, science fiction, various dystopian and utopian happenings and jam culture's ahead of the curve embrace of live streaming tech . . .

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James Booker :: Montreux Jazz Festival, July 1978

Ancient AD. We originally featured the following 1978 live recording (captured at the Montreux Jazz Festival) back in October of 2005. We’ve collected a number of live documents from this New Orleans piano master -- Live at Montreux is by far the most spirited. Pearls on black velvet, the set is essential listening for Booker acolytes and New Orleans piano disciples alike. Ten tracks, all very raw arrangements with Booker backed by a loose, electric pick-up band that full-on swings . . .

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John Prine :: Sessions At West 54th

My first real exposure to John Prine was random and chance, one of those moments that floats into the periphery and either you see it or you don't. It was also lacking in the context that would make me appreciate it all the more later on.I was home from college my freshman year and was up late as usual, alone in a quiet house watching random things on television. I was partial to the music shows on PBS, especially Sessions at West 54th, a show I'd caught a few times before. It was on . . .

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Swamp Dogg ft. John Prine :: Please Let Me Go Round Again

The whole record documents Swamp Dogg’s life over the years, using songs he penned some 30 plus years ago. Bon Iver and Sam Amidon contributed their instrumental prowess as well, but it’s the last track with John Prine that brings the magic. You’re witnessing a true southern porch hang . . .

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WHEN A DRUMMER FALLS DURING A PANDEMIC, DOES HE MAKE A NOISE? TRAVIS NELSEN DOES.

... when a musician dies there’s a tendency to separate who they were in the spotlight with who they were off stage, but Travis would wear the same monkey costume behind his drumset or when he grilled a rare steak in his kitchen for his beloved mom, all with gusto and an electric smile, straight from his gilded, white-hot heart . . .

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Robbie Basho :: Songs of the Great Mystery – The Lost Vanguard Sessions

We’ve been blessed with a bunch of Robbie Basho archival hauls in recent years. But the latest unearthing—Songs of the Great Mystery—might be the best of them all . . .

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Mute Duo :: Lapse In Passage

As Mute Duo, pedal steel guitarist Sam Wagster and percussionist Skyler Rowe drift and rage with unusual grace. Best known for collaborations with Ryley Walker, Bill MacKay, Ben Lamar Gay, and Tim Kinsella, the two players stretch out gloriously on their latest, Lapse in Passage, which twists and churns within the heady post-everything frame work that has flourished in their hometown of Chicago, evoking loose-limbed spiritual jazz, inverted exotica, and ragged improv . . .

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Caleb Landry Jones :: The Aquarium Drunkard Interview

The Mother Stone is a collection of fifteen tracks entirely out of step with whatever modern trends are currently gripping independent music. It feels peerless, out of time, from a different dimension. It isn't a record you can play quietly in the background as you respond to emails. It requires headphones. Focus. Attention. Which isn't to say it isn't any fun. Because it is . . .

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Transmissions :: A Conversation With Mary Lattimore

The music of Mary Lattimore is at once intimate and cosmic—her unfolding and widening harp epics connect outer expanses to inner realms. No matter the context, Lattimore's musical voice resounds as a calming and clear one. Which is why, as the pandemic blues really kick in, Transmissions hosts Justin Gage and Jason P. Woodbury rang her up to discuss adjusting creative practices, dealing with daily anxieties, and narrow down which Succession character is least despicable . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Bandanna-clad mouth into the mic, via satellite, transmitting from northeast Los Angeles, the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays . . .

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Abstract Truths: An Evolving Jazz Compendium – Vol 7 / Japanese Jazz

...the golden period from the 1970s into the early 80s when jazz in Japan came into its own identity and sound.

100 minutes of library groovers - dance floor bangers - funky fusion - modal swingers - big band stompers - jazz rock psychedelia and the impeccable sound of TBM are all represented . . .

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Go Hirano :: “日常” Nichijou (Everyday)

Meditate for awhile on this one — a 25-minute portrait of Go Hirano, filmed at the musician's home in Kamakura, Japan earlier this year by Vincent Guilbert . . .

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