Aquarium Drunkard presents Norio Sato's (Record Shop Rare Groove, Osaka, Japan) exclusive mix 'Music Book: An Exploration of Japanese Sounds', for the Mr. Good Boy Record Cart . . .
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On his latest, a lean, seven-song release entitled New Miami Sound, Davidson shows leaps and bounds in his songwriting, embracing piano-driven rhapsodies found in the unlikeliest of places; nostalgia-tinted folk for long casted shadows just beginning to fade. Branching off some strange lineage of Ramblin’ Jack Elliott and Harry Nilsson, his warbly, rustic vocals and subtly profound prose seem to sneak up on you. Often, it feels as though you might turn around to find it gone . . .
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Returning for his second Lagniappe Session, guitarist William Tyler offers up new covers of Fleetwood Mac and Yo La Tengo, and sets about interpreting compositions by George Frideric Handel and Antonín Leopold Dvořák . . .
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Issued in 1977 via Rounder Records, Pierre Bensusan 2 is largely comprised of the acoustic guitarist's take on traditional European folk music. Sung in Bensusan's native French, the two sides scan hoary folklore from the Scandinavian tundra to the British isles. Folklore that is both interpreted and, at times, appended by the artist . . .
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Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard every Wednesday at 7pm PST with encore broadcasts on-demand.
Tonight, a look back at the legacy of Talk Talk's Mark Hollis . . .
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While Starflyer's early, reverb-drenched albums, named Silver and Gold for their monochromatic album covers, fit neatly into the shoegaze movement, it didn't take long for Martin and assorted company to outgrow that mold, blooming into one of the truly essential—if largely unknown—forces in American indie rock. Young In My Head is a vital edition to that catalog . . .
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While the one-man-band approach can so often result in antiseptic, too carefully controlled sounds, Robert Stillman's Reality remains loose, imaginative, and even conversational. Stillman is having a dialogue with himself. It's a lively one, and you are invited to listen in . . .
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An American composer making music on the respective edges of America — Oregon and Maine – Keith Kenniff records as Goldmund. Texturally, the project is a natural extension of his Helios project, fusing Kenniff’s interests in ambient, analog electronic and neo-classical. Introspective. Meditative . . .
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On All My Relations, Cochemea Gastelum's second solo album and first for Daptone Records, the saxophonist offers up a globetrotting swath of sounds, soul music of varying genres. Funk, R&B, Latin jazz, Indigenous chants and stomps, Morrocan Gnawa, cosmic jazz—leading his combo of Daptone stalwarts, Gastelum melds together elements of each to form a multi-faceted, spiritually cohesive tapestry . . .
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Welcome to the February 2019 edition of our Transmissions Podcast. On this episode, we sit down with Bruce Hornsby to discuss his new lp Absolute Zero. Then, William Tyler performs and discusses songs from Goes West live at Gold Diggers . . .
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From Nigeria and Benin to Côte d’Ivoire and Ghana, the polyrhythmic percussive patterns of West Africa have always been funky. But the starting in the early 70s and continuing late into the 80s, synths began to snake their way onto the scene. Traditional talking drums co-habitate with drum machines. And the sounds of Yoruba Juju, Fuji and Afrobeat evolved into something that, to uninitiated western ears, sounds wholly other-worldly in all the right ways.Portland's Little Axe Records has spent the past . . .
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Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard every Wednesday at 7pm PST with encore broadcasts on-demand via the SIRIUS/XM app.
SIRIUS 555: Jean Michel Bernard – Générique Stephane ++ A.A. Bondy - Images Of Love ++ Golden Daze - Blue Bell ++ Linda Smith - I So Liked Spring ++ Karen Marks - Cold Café ++ Modern Nature - Supernature ++ Bruce Langhorne - Leaving Del Norte ++ The Seraphims - Consciousness of Happening ++ Gary Davenport - Sarra ++ Some of My Best Friends Are Canadians - Feeling Sheepish ++ The Rising Storm - Frozen Laughter . . .
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Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected
gift or benefit. 2. Something given or obtained as a gratuity or bonus.
Jerry David DeCicca is no stranger to these parts. This, his second Lagniappe session, finds the artist in step with three of his favorite singer-songwriters: Dylan, Zevon and Springsteeen. DeCicca in his own words, below …
I picked three songs . . .
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“She had always lived her best life in dreams. She knew no greater pleasure than that moment of passage into the other place, when her limbs grew warm and heavy and the sparkling darkness behind her lids became ordered and doors opened; when conscious thought grew owl's wings and talons and became other than conscious.” ― John Crowley, Little, Big
A bird song. A charm. These are the opening moments of Eerie Wanda’s Pet Town, the latest from Holland’s Marina Tadic. “I walk alone again,” she sings on the album’s . . .
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Right as he finally began to be recognized as a proto-indie rock figurehead in the late eighties and early nineties, Alex Chilton found himself drifting toward the sounds of his youth. Right as people had begun clamoring for Big Star and the acerbic rock & roll Chilton wrote after that band’s end, he opted to crack open the Great American Songbook and channel his inner Chet Baker . . .
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