SIRIUS/XM Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XM, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 103: Jean Michel Bernard - Generique Stephane ++ Fool's Gold - Surprise Hotel ++ Foreign Born - Blood Oranges ++ Local Natives - Airplanes ++ Dirty Projectors - What I See ++ The Vaselines - Slushy ++ Yellow Fever - Donovan ++ Os Mutantes - Panis Et Circenes ++ Fiery Furnaces - The Philadelphia Grand Jury . . .

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A Wizard, A True Star

Barney Hoskyns, in Mojo magazine, once penned that Todd Rundgren sounds like "the missing link between the White Album and Sign O’ The Times." I couldn't have said it better.

Artistically, Rundgren is indeed a strange beast; his body of work feels schizophrenic, random, rootless, and ironically, in his own strange way, very focused. Focused in the sense than it sounds like he always knows what he is after, what he wants - and if his audience cannot, or will not, keep . . .

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Death :: For The Whole World To See

Facts is facts -- in 2009 "punk", as an adjective, has quite the stigma.   This is not exactly breaking news.   Now three decades into its run, the general populace most likely equates the term punk with that of Good Charlotte, and/or whatever the mall kids are purchasing at Hot Topic this week; rather than, say, the sounds of Johnny Thunders,   Hüsker Dü, become a member or log in.

Foreign Born :: Person To Person

Person To Person is the album I'd been waiting to hear from Foreign Born since first catching their live show in Echo Park three years ago. Entering the club cold, having never heard of the band, I left two hours later a fan.   The second time I saw . . .

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AD Presents :: Magnolia Electric Co. July 28th

Heads up.   Magnolia Electric Co. has a new album out, Josephine, their first since 2006's Fading Trails.   Tuesday, July 28th, Aquarium Drunkard presents Jason Molina and Co. with guests

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24-Carat Black :: Gone: The Promises Of Yesterday

If I had an extra minute to spare I would seriously consider starting another blog focused strictly on covering the growing number of on-point reissue labels that have popped up the past several years.   One of these, a front-runner I must feature on AD close to six times a year, is the Chicago based Numero Group.   At this stage in the game, with the amount of stellar titles they've released, the label's reputation alone sets a precedent for quality even before you open the package . . .

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Fool’s Gold :: Surprise Hotel

Back here on the L.A. homefront -- multi-lingual afro-pop enthusiasts Fool's Gold, who have signed with Los Angeles based IAMSOUND Records, just released "Surprise Hotel" the first single from their full-length debut due out this September.   If you're local and did not catch one of their appearances at the Echo in April, you may want to get on it. Highly recc'd.

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Pitchfork :: Festivus 2009

Ahoy, J. Neas here.   AD is heading to the Pitchfork Music Festival at Union Park in Chicago next weekend. I'll be uploading recaps of each day's festivities on AD as well as updating my personal Twitter account on a frequent basis. No promises that some of those tweets won't be me grumbling about wanting a Chicago style hotdog. Just a heads up. Below are a handful of the . . .

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Jay Farrar :: Thus Far

It has to be intimidating - building a legacy. The shadow that Uncle Tupelo has cast across the alt.country genre for the past 20 years is an enormous one, no matter what your opinion about their music. It's Jay Farrar who seems to have lived most in the wake of his former band, at least critically. New projects from Farrar are still - though not nearly as often - dragged through the comparison process against . . .

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Les Surfs :: Tîº Serî¡s Mi Baby (Be My Baby)

It's hot out there today -- this should help. I happened upon this cover of the Ronettes "Be My Baby" a couple of weeks ago via the power of...wait for it...twitter.   Chris, from GvsB, left a tweet (yeah, I hate that word) directing the world to the folks over at Mad Decent who had posted a sixties Spanish language cover of the tune by the long defunct . . .

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Yo La Tengo :: They Shoot, We Score

"If you build it, they will come," or in the case of Yo La Tengo, if they record it I will most likely eventually get around to listening to it -- whatever the it may be. In this case, the it in question is a collection of tracks the group   scored for various films over the years (Game 6,

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Wilco (The Near Miss)

(Several months ago Jeff Leven, whose byline you'll recognize if you're a Paste reader, and I were discussing music and that of young fandom.   Leven told me a great story, from his college days in the '90s, related to Wilco, the power of an album, meeting your idols...and the days of fax machines.   With 'Wilco (The Album') now on shelves, Leven decided to share his tale here on AD.   Enjoy)

The Fabulous Satellite Lounge in Houston, Texas scurried at the frayed edges of Austin’s shadow.   Literally on the wrong side of the tracks on the deader side of downtown’s outermost sprawl, it was housed in what I was always told was an old bank building.   Rockefeller’s — the upmarket showcase club next door — lived in relative opulence in what used to be the bank lobby, while the Satellite, was, unequivocally, what used to be the vault.   Décor consisted of a few oil lights spiraling against the concrete, and the bar ate half of the ample floor space.   If my teenage bedroom was the cauldron where my obsession with music was concocted, for a time the Satellite was one of my most consistent markets for new ingredients.   In a town where the glint of new oil money had slapped fresh varnish across the face of the innumerable strip malls that sprung out of the prairie mile-by-mile across an astounding radius, the Satellite was soulfully dank, that slight bit lonesome and thrillingly almost urban.   It wasn’t a scene per se - there was a mild teenage punk rock scrum at a few venues well up the street.   The classic Townes n’ blues scene had all but died, only to occasionally revisit Rockefeller’s for $50 a ticket.   The Geto Boys were about at their peak but well off my radar.   Occasionally you’d catch Billy Gibbons buying floppies at the Compuserve near the Galleria.   But most of the time you’d drive and drive through the humid wall of air blaring Rush’s “Subdivisions” on KLOL and wondering how a trio of Canadians had so well figured out a place where they undoubtedly had never spent more than a week.   So when the Satellite stumbled into its mid 90s alt country booking jag, it was a slapdash stroke of small “d” destiny.

I never saw Wilco at the Satellite.   The Internet tells me they played there, apparently including the night of my 18th birthday, and then again the next November.   Instead I saw Son Volt.

Continue Reading After The Jump....

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AD Presents :: Son Volt/Cowboy Junkies, LA 7/16

Next Thursday, July 16th, Aquarium Drunkard presents Son Volt and Cowboy Junkies live at The Wiltern in L.A.   Son Volt are touring behind American Central Dust their new LP released last week on Rounder Records.

We are giving away a bunch . . .

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