Van Morrison :: T.B. Sheets

Clocking in at a healthy nine minutes and thirty five seconds, Van Morrison's "T.B. Sheets," culled from his first album Blowin' Your Mind!, remains one of his most spirited exercises in blue-eyed soul. Fevered, you can almost feel the man's cold sweat just prior to his transformation into a household name.

"The cool room Lord, is a fool's . . .

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Flying Burrito Brothers :: Do Right Woman (Aretha)

When it came to varied tastes, Gram Parsons had a mandate on cool. A large part of what has contributed to the artists enduring legacy was his preternatural sense of style, which, in terms of music, transcended the confines of genre boundaries. A sponge, Parsons soaked up everything around him and recast it in his own light. This is no more evident than on the Burrito Brothers' cover of Aretha Franklin's soul drenched "Do Right Woman, Do Right Man," which under Parsons care, transforms into a slow burning country gem.

Related: As we . . .

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Kermit Ruffins :: How He Do

If you've never caught a Kermit Ruffins show, pack a bag, and head to New Orleans. Preferably on a Thursday night when the man temporarily lays down his trumpet and wields his barbeque tongs outside of his weekly show at Vaughan's bar in the Bywater neighborhood. Team Drunkard makes a point of it whenever we are in NOLA.

Ice Cream Man photographer "Crash" Hattori managed to snap pics of both the jazzman's talents, featured above . . .

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Meat Puppets :: II

November 20th will see the enhanced DVD release of Nirvana's famed MTV Unplugged performance, unedited and in its entirety, complete with previously un-aired footage ("Something In The Way" and "Oh, Me"). While Nirvana's cover of the Meat Puppets "Oh, Me"

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SIRIUS Satellite Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 23: Johnny Thunders & The Heartbreakers - Chinese Rocks ++ New York Dolls - Looking For A Kiss ++ Johnny Rotten - Interview Snippet ++ The Ramones - I Don't Wanna Go Down . . .

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The Rolling Stones :: Slave (1981)

It's no secret I like the Stones. A lot. Like any band or artist one follows relentlessly, there comes a time when we begin listening to the albums in a different light than we did in years past. This runs from searching out and appreciating everything from lyrical quirks, oddball nuggets, interesting time signatures, stylistic oddities, to just plain old tunes we missed the first go 'round.

For me, the latest case of this phenomenon has manifested itself in relishing the most interesting moments of the . . .

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Lou Reed :: Street Hassle (Digital Reissue)

Among the latest batch of albums seeing a digital-only reissue is Lou Reed's 1978 full-length, Street Hassle. Granted, no one is going to arm wrestle the point that this is Reed's finest album, but it certainly warrants a listen, and contains one absolute, bona-fide Lou Reed classic - the title-track - "Street Hassle."

Most recently the tune resurfaced within the pop culture zeitgeist as part of become a member or log in.

R.E.M. :: Wrangling In The Monster


Athens, GA:
Earlier this Fall, R.E.M. were at work on their next, as of yet untitled, album in a 19th century Athens chapel that had been carefully converted into a makeshift studio. Those familiar with R.E.M./Athens lore will note this apparent return-to-roots approach...but sorry, no Bill Berry.

The news of R.E.M. again gearing up for another studio release has coincidently coincided with my recent (re)appreciation of the band's 1994 LP, Monster. I can't get enough of it.

Coming off the heels of two relatively quiet and acoustic based albums (Out of Time, Automatic For The People), Monster, their ninth full-length, was touted as a "return to rock" -- in fact, I believe I said as much in the review I penned my freshman year of college in the school's newspaper.

Besides the music itself, this re-kindled interest in Monster is in part due to my relationship with it over the last decade and a half. For shortly after praising it in print, I turned vehemently against both it, and the band's inflated image. Suddenly Stipe and company had, in my eyes, lost it. This sentiment lasted for a number of years. **(Granted, this was my freshman year of college, twelve hours from home, and I was eagerly consuming a vast amount of varied/disparate music. As a Georgia native, growing up not 60 miles form Athens, R.E.M.'s familiarity was in retrospect a strike against them. Ridiculous, I know).

When I first revisited the album a couple of months ago my initial reaction was that Monster may have been ahead of its time. But not so fast, perhaps it was just ahead of my time. Maybe, in '94, I wasn't ready for this new, evolved, R.E.M.; and to be honest, if not for a friend swearing by New Adventures In Hi-Fi a few years after its original release, I may have never picked up post-Autuomatic era R.E.M. again.

Not surprisingly, this drastic re-appraisal of Monster has me wondering what the last three albums (Up, Reveal, Around The Sun) were like - I have heard none of them, and, upon their release, blew them of on spec. Heard them? Have and opinion? Hit me up in the comments.

Elsewhere: As previously mentioned, Pop Songs 07 is a music blog dedicated to chronicling every R.E.M. song ever recorded.

Download:
MP3: R.E.M. :: Strange Currencies
MP3: R.E.M. :: Tongue
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Amazon: R.E.M. - Monster

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R.E.M. :: Strange Currencies - 1994

www.remhq.com ++ www.murmurs.com

+ Download your digital music througheMusic's 25 Free MP3 offer.
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Additional Monster Era Videos After The Jump

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I’m Not There :: A Soundtrack

AD contributor, J. Neas, weighs in on the recent companion soundtrack to filmmaker Todd Hayne's new, and loose, Dylan biopic, "I'm Not There."

Tribute albums are always tricky; Bob Dylan tributes even more so. When you set out to cover someone with as distinctive a voice - lyrically, vocally and musically - it's guaranteed to be a mixed . . .

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The Broken West :: Two New Tracks

Last week, our pals The Broken West gave us two new, and unreleased, tracks that were recorded last month during their visit to the WOXY studios. According to Ross Flournoy, the first track, "Perfect Games" can be expected to make an appearance on the band's next LP (Merge 2008). The second track is a cover of Tegan & Sara's ace single "Back In Your Head" -- shit be "catchy . . .

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Aquarium Drunkard Presents :: The Whigs

November 13th, Aquarium Drunkard proudly presents The Whigs, live at Spaceland, along with Wild Sweet Orange, and L.A.'s own Le Switch. Come find out why The Whigs have been our favorite Athens, GA export the past two years running. New album drops January 2008 on ATO records.

Live here in L.A . . .

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Now Podcasting :: Episode 37

Welcome to Episode 37 of the podcast edition of The Aquarium Drunkard Show; airing live every Wednesday 2-4 p.m. PST at the Little Radio studios in downtown L.A.

Don't call it a comeback! Boom - yes, the Aquarium Drunkard podcast series is back. Yes, its been absent a couple of months, but for good reason. The Little Radio servers crashed, therefore none of the . . .

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SIRIUS Satellite Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 22: Peter Sarstedt - Where Do You Go To (My Lovely) ++ Linda Serbu - If You Rescue Me (acapella) ++ The Velvet Underground - Who Loves The Sun ++ Clem Snide . . .

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Oakley Hall :: I’ll Follow You

Oakley Hall have been building a sound rooted in disparate elements since their inception. When you're founded by a key (and founding) member of one of the more forward thinking rock acts of the '00s (Oneida), you're bound to have something interesting going on. But when you're mixing those elements with country and Southern rock, you also risk tripping a time or two along the way. Fortunately, it has so . . .

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