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Aquarium Drunkard Presents :: The Rising Storm – A Mixtape

Welcome to the fourth installment in a series in which I highlight some of my favorite voices online and beyond. Thus far we've featured sets by Raven Sings The Blues, Ponytone, Turquoise Wisdom and Cold Splinters.   Next up: The Rising Storm. Long before the blog's founder, Brendan McGrath, was a regular AD contributor, we bonded over a shared appreciation of obscure, forgotten and out of print sonic relics. Not surprisingly, today's mixtape sounds like something you might hear drifting out of a transistor radio while marooned at an out-of-the-way highway roadhouse. Just the way we like 'em.

Catch McGrath's guest DJ set this Friday during the second hour of my radio show. Grab this mix below and bookmark his site.

After the jump... The Rising Storm - A Mixtape.

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Garotas Suecas

In a way it’s kind of a shame Garotas Suecas are from Sao Paolo, Brazil. Hailing from any other locale, Tropicalia would be listed as just one amongst the bands many influences — not the first and most discussed. In truth, the band and their eponymous debut EP are equal parts soul, garage rock and yes, a good helping of Tropicalia. But in the way that their most obvious predecessor (though not necessarily influencer) Os Mutantes made the language barrier disappear between American audiences and their Portuguese lyrics, Garotas Suecas . . .

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Diversions :: Gift Horse

The weather in Austin during SXSW is typically in the 80s, and this year was no different--until the final day; on Saturday it dropped to a high of 38 degrees. No one was dressed/prepared for it. After four days of running around Austin I decided to spend the majority of my afternoon camped out at 40 Watt party catching up with old friends and seeing music. One the bands I caught during the beginning of the day was Gift Horse. Performing on the sidestage, outside, the cold only seemed to fortify the band as they bashed through thirty-plus minutes of damaged sludge-rock.

On the heels of their new LP, Mountain of Youth, we caught up with the trio as they reflect on their hometown of Athens, GA's rich, and varied, musical legacy.

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

SIRIUS 141: Jean Michel Bernard - Generique Stephane ++ Vivian Girls - He's Gone (Chantels) ++ Sonic Youth - Dirty Boots ++ Yo La Tengo - Can't Seems To Make You Mine (The Seeds) ++ Abe Vigoda - The Reaper ++ Deerhunter - Who Makes The Nazis (The Fall) ++ White Denim - I Can Tell ++ Jack Nitzsche . . .

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Phosphorescent :: Here’s To Taking It Easy

One of the achievements of Phosphorescent's ode to Willie was how comfortable Matthew Houck was at interpreting (or reinterpreting) Willie Nelson. It wasn't just that he carefully selected songs that had mostly filtered out of the cadre of Willie popularity. But he was also succeeding the wintry folk soul-lashing of Pride just two years prior. Viewing them . . .

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Del Shannon :: Sings Hank Williams

Sings Hank Williams began a string of excellent albums by Del Shannon that culminated with The Further Adventures of Charles Westover from 1968. Not only is this a great country album but . . .

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Madeleine Peyroux :: Between The Bars

I reintroduced Madeleine Peyroux's cover of Elliott Smith's "Between The Bars" into my radio playlist last month. Found on Peyroux's Careless Love LP, from 2004, the track exudes a haunting, maudlin, ambiance that feels entirely displaced from the 21st century---it's this exact displacement that gives it legs. Mystery.

MP3: Madeleine Peyroux :: Between The Bars
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Untouchables :: Crawlin’ (The Crawl)

Awhile back the folks at Soul Generation started up a side blog dedicated to a rambling genre hybrid that can only be described as "titty shakers," entitled (of course) tittyshakers.com. From their manifesto: "The roots of tittyshaker can be traced back to '50s America where in major cities ,through to backwater shacks and pit-stop bars, the jukebox would be wailing out sleazy, lo-down . . .

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Fela Kuti :: Comprehensive Catalog Reissues

Reissues are nothing new.   But last year, when news of the promise of the reissued Fela Kuti catalog surfaced, there was reason to get excited. The newly resurfaced Knitting Factory Records is responsible for the comprehensive catalog overhaul. Last week we caught up with label manager Brian Long to find out why.   Interview after the jump.

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Sevens (90s One-Hitters) :: Daisy Chainsaw/Love Your Money

(Sevens, a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

AD is spending the month of May looking at some one-hitters from the 90s; an age rife with overlooked “alternative” gems from the days of 120 Minutes and the just below-the-surface power-pop scene that was bursting with great music. Sevens takes a look at a handful of these singles.

You wouldn't know it anymore, but people of a particular vintage know how important a role MTV played in shaping, exposing and breaking music in its first 20 years of existence. This extended from the station's left-of-the-dial video shows (120 Minutes, Headbanger's Ball, Alternative Nation, Yo! MTV Raps, etc.) into their stabs at more traditional programming. And for me, nearly as important as those video shows was Beavis and Butt-Head. My first exposure to Pavement, the Butthole Surfers and even Wilco came through the video watching segments of the show. But so did my first exposure to some bands who would be as momentary as those others would become legendary.

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Richard Swift :: Drakula (Hey Man!) /Laminar Excursion Monthly

Our friends at Flannelgraph Records just hooked us up with the upcoming, six-song, Richard Swift EP (Laminar Excursion Monthly Volume 9). A co-release with Crossroads of America, 'Wolfman' is available later this month on 3" CD. Dig that. Just in time for Weird Summer II.

MP3: Richard Swift :: Drakula (Hey Man!)

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The National :: High Violet

The world in which the five members of The National–and, I suspect, at least 90% of AD readers–live and move and gesture towards being is a wide, wide space with very low ceilings. It is a world in which many things are possible but very few of them provide any kind of lasting satisfaction, and the redlands near the edge of the horizon grow more terrifying, desolate, and unpopulated as they cease to be explored. The freedom to do and fail at anything tends to keep people . . .

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Originals :: Almost Blue/Fakebook

Last week, while discussing unofficial compilations, I suggested that readers share some if their favorites in the comments. In doing so I asked myself the same question. While a number come to mind, I want to highlight a set that was put together by the now defunct music blog Setting The Woods On Fire. In scope, the site---named after the great Hank Williams tune---focused on the glory days of old C&W and the disparate genres, and artists, it orbited (or vice versa).

A couple of years ago the blog featured two separate compilations: Almost Blue - The Originals, and Fakebook - The Originals. The two sets rounded up the songs covered on Almost Blue (1981) and Fakebook (1990) by Elvis Costello and Yo La Tengo, respectively. Besides acting as an interesting (and entertaining) exercise in the roots of two great albums, the two compilations,   juxtaposed side by side, also (unintentionally?) highlighted the similar places both Costello and YLT were in their careers at the time of each release. In 1981 Costello was far more well known for his acerbic post-punk wit and snarl than the multi-faceted artist he is today. The majority of his audience (at the time) seemed to have little use for an LPs worth of Nashville Country & Western. Likewise, in 1990, Yo La Tengo covering Cat Stevens, The Flying Burrito Brothers and Rex Garvin, was a far cry from the guitar histrionics off there previous catalog. Since then both artists have incorporated a wide variety of styles and influences into their work, but at the time of release both LPs were a sort of game changer.

The Fakebook compilation is pretty self-explanatory covering the aforementioned Cat Stevens, Rex Garvin, Burrito Brothers as well at Beat Happening, Gene Clark, Flamin' Groovies and others. The Almost Blue compilation rounds up its source material from both the artists specifically cited by Costello (as the inspiration) as well as those who also covered the material (re: Patsy Cline). Both compilations work on multiple levels whether your a fan of the covering artists or simply interested in the source material displayed under a new guise. As Setting The Woods On Fire is no longer active, the two sets can be found in zipped format after the jump.

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AD Presents :: Jacuzzi Boys @ Five Star Bars, Thursday May 20th

Thursday night, May 20th, Aquarium Drunkard presents Jacuzzi Boys with Wounded Lion at Five Star Bars in downtown L.A. We're giving away several pairs of tickets for the show. Wanna chance to go? Hit up the comments and leave your name and email address. Winners will be notified with tickets held at will-call. High five to Crista for making this happen.   18+ -- 267 S. Main Street LA, CA . . .

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Yuzo Kayama :: Black Sand Beach/Violet Sky

Google the name Yuzo Kayama and you'll note that he's "a Japanese popular musician and film star born in 1937. His father, Ken Uehara, was one of the most popular film stars in Japan during the 1930s.   Yuzo himself became one of Japan's biggest stars of the 1960s in the Wakadaishō, or Young Guy film series, as an actor."   In short, Kayama was what you'd call a renaissance man. But in the span of   the double . . .

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