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The Watson Twins :: (L.A. Natural History Museum)

Last week The Watson Twins performed at L.A.'s Natural History Museum as part of the museums ongoing First Fridays series. AD correspondents Jason and Ben were there and had a chance to catch up with Leigh after the show.

AD:
Having played and recorded with Jenny Lewis, recorded your own album, and now on a national tour, you’ve come along way. How do you think you got this far?

Leigh Watson: We are originally from Kentucky and we moved to LA to pursue music. We moved to Silverlake where we met many like minded people. We weren’t afraid to leave home, and jump into it, which is what allowed us to get to where we are. Also, having a sister there with me for support helped a lot too.

AD: With the influx of female singer song-writers, such as Kate Nash, Feist, and Lilly Allen how do you distinguish yourselves? Or do you even try to distinguish yourself?

LW: Well, it’s a very exciting time for women in music. Rather than worry about the many other female singer-songwriters out today, we embrace the fact that women in general are doing so well in music right now. There was a lull for women in the early 1990’s and the early 2000’s, but now women are back on the map. As for distinguishing ourselves, we take pride in our strong harmonies and backing vocals. Growing up we were really able to hone our vocal abilities by singing in our church choir.

AD: You guys have a great sound, it's unique, who are your biggest influences?

LW: Emmylou Harris sang with everyone, she had the perfect voice to harmonize with, but was distinct as well. This was what we tried to accomplish when we played with Lewis. We wanted to harmonize well with her, but distinguish ourselves at the same time.

AD: You guys seem pretty close on stage, are there ever any sibling rivalries?

LW: No, not really. When it comes to music, we have never been competitive. We rely on each other for help and inspiration. The only arguments come when one of us is working harder than the other. We like to share the workload, so sometimes we get on each other’s case about that. We both give 115 percent, so I guess you could say 130 percent goes into everything we do.

AD: Don’t you mean 230 percent?

LW: Ha yeah, that’s what I meant, I guess you can tell I’m a musician and not a math major.

AD: How do you go about your songwriting?

LW: We both write songs separately. After we have the general idea, we bring it to the other and work on it together. The improvements often involve strengthening choruses, re-working lyrics, and adding harmonies. In general though, we each write our own songs.

AD: This was a unique environment to play a show in, how did you feel about playing a concert in a museum, and how did it rank amongst past shows you have played?

LW: It was an amazing environment. Museums are cool. The coolest show we’ve played may have been Pabst Theater in Milwaukee. That was so cool. I also really liked playing at the Getty, yeah it’s great playing at museums it makes the show interesting.

Continue reading after le jump....

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Wye Oak :: If Children

As much as Merge Records was defined by Superchunk's roaring maelstrom indie-pop in the 90s, it has come to more resemble label co-founder Mac McCaughan's other project, Portastatic, in the 2000s. Bands like the Essex Green, the Rosebuds, the Clientele and, yes, Portastatic, have created vibrant orchestrated pop, noisy anthems and everything in between. Wye Oak, one of the . . .

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Jason Isbell :: Live @ Twist & Shout / 2007

While by no means essential, Jason Isbell's live EP, recorded at Twist & Shout Records last year, provides an interesting document for those curious about Isbell's sound with his new band, The 400 Unit. Here's The 400 Unit's take on a DBT favorite.

Previously: Aquarium Drunkard Presents :: Jason Isbell @ Spaceland

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My Morning Jacket :: Head Held High (SXSW)

My Morning Jacket performing The Velvet Underground's "Head Held High" live at the Lou Reed tribute show at SXSW, March 2008. Read what we said about the show here

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Soul Messages From Dimona

Compiled by the Numero Group, and released next month, Soul Messages From Dimona is a soul collection combining the elements of jazz, funk, soul and gospel, all performed by American ex-pat artists who, from 1975-1981, made their home in Dimona, Israel. Musically taking elements from their native homes of Detroit and Chicago, these five groups embraced Black Hebrew Culture, and . . .

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Sergio Mendes & Brazil ’66 :: For What It’s Worth


Download:

MP3: Sergio Mendes & Brazil '66 :: For What It's Worth (cover)
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Amazon: Sergio Mendes & Brazil '66 - Stillness

+ Download your digital music via eMusic’s 25 free MP3 . . .

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Christopher Denny :: Age Old Hunger

Lately, while in the car, I've been listening to Christopher Denny's album Age Old Hunger. At eleven songs and 43 minutes, it's a strange, and entertaining, take on the classic Dylan mojo. While Denny's androgynous croon may not be for everyone, it gives his plaintive folk songs the bottom and personality lacking in so many of todays singer-songwriters . . .

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Off The Record :: Explorers Club (Charleston, SC)

Off The Record is a recurring feature, here on the Drunkard, that marries two of my greatest interests; music and travel. Having a locals perspective when visiting a new locale is the difference between experiencing it through the lens of a tourist and of that of a native.

Off The Record gathers some of my favorite artists, asks them to reflect on their city of residence, and choose a handful of places they could not live without, be them bookstores, bars, restaurants or vistas.

Todays edition of OTR catches up with become a member or log in.

SIRIUS Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 42: The Henry Clay People - Working Part Time ++ The Whigs - Don't Talk Anymore ++ The Glands - Livin' Was Easy ++ Le Switch - Big Ol' Tree ++ Mojave 3 . . .

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The Watson Twins :: Just Like Heaven/Fire Songs

While I've always found the music of Rilo Kily to be tepid at best, I did enjoy Jenny Lewis's country-tinged side project, from 2005, Rabbit Fur Coat. I have Fur Coat to thank for introducing me to the music of The Watson Twins who received co-billing . . .

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The Basement Tapes (Columbia Records, 1975)

Hardcore Dylan-phile nitpicking aside, there is a lot to love about the (official) Basement Tapes. While many of these recordings (from 1967/68) were originally known on the bootleg circuit from the unofficial comp The Great White Wonder, a number of them received overdubs and general sprucing up before being . . .

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Chris Mills :: Living In The Aftermath

In three short years Chris Mills has gone from living the dream to living in its aftermath. I loved Mills last album, The Wall To Wall Sessions, and distinctly remember listening to album's first track, the tragically beautiful "Chris Mills Is Living The Dream . . .

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Mission of Burma/Joy Division/Channeled By Moby

Moby is a curious cat. After breaking techno wide open in the early '90s, he dabbled in industrial-lite dance music, only to wind up the hero of Pure Moods compilation makers and the people who make in-store soundtracks for stores that have a philosophy. His new album, Last . . .

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Nick Cave And The Bad Seeds :: Dig! Lazarus Dig!

Those who saw last year's gritty Grinderman side trip as a return to form need look no further that The Bad Seeds new full length Dig!!! Lazarus Dig!!!. Like the Grinderman project,

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