50 Years Of Harry Nilsson’s The Point

Harry NilssonPosted on

It was a tough sell to get greenlit. Following a slew of canceled meetings, Harry Nilsson managed to secure an airplane seat next to an ABC executive to finally pitch his idea for an all-ages animated film. Like a true passion project, Nilsson feverishly sold his concept of an unconventional children's fable based around fictitious characters with pointed heads (and an archetypal “outsider” protagonist). Fifty years on, it's hard to imagine the musician's legacy without it . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Emmanuel Brun :: La Voix Psychédélique

Emmanuel BrunPosted on

French musical saw virtuoso, Emmanuel Brun. Released in 1975 (via the lp, Magie de la scie musicale), Brun's supernatural singing saw takes a backseat on "La Voix Psychédélique", allowing guitarist Geny Detto to work up a nice, frothy choogle. Dig it . . .

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Charles Lloyd/Billy Higgins :: Unreleased Duet, July 1993

Billy Higgins Charles LloydPosted on

Likely a precursor to the 2004 ECM double-duo-album Which Way Is East, which was Higgins’ final recording, the '93 duet contains a familiar acoustic ambience—beautiful, ragged, scruffy—and sounds imprecise but locked in: theme and un-variation that could only be crafted by these two Americans . . .

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Matthew E. White :: Transmissions

Matthew E. White PodcastPosted on

Matthew E. White joins us on Transmissions to discuss K Bay as well as his duo recording with former guest Lonnie Holley, Broken Mirror: A Selfie Reflection. Along the way, he touches on his communal approach, Miles Davis, his youth in the Philippines, and the transcendent qualities of The Flamingo's "I Only Have Eyes For You . . .

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Lena Platonos :: Bloody Shadows From Afar

Lena PlatonosPosted on

The penultimate track from her 1985 lp, Gallop, Lena Platonos’ “Bloody Shadows From Afar” is a dark-wave tinted sonar of synth-pop-industrialism. It creeps in forebodingly and, as seductive as she is stealthy, the Greek composer’s voice hovers over undulating analog synths and a Roland 808 . . .

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Weather Station :: How Is It That I Should Look at the Stars

The Weather StationPosted on

Weather Station’s Tamara Lindeman moves further into jazz in her sixth album, paring back from the large-ensemble, elaborately instrumented sounds of Ignorance to find a smoky, late-light club vibe. The result is a set of songs that are feather light and full of space, sonically, but lyrically and emotionally heavy . . .

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Philomath: The Aquarium Drunkard Journal | Issue 01, Spring 2022

PhilomathPosted on

Presenting Philomath: The Aquarium Drunkard Journal. Issue 01, Spring 2022. Featuring contributors include Tim Presley, William Tyler, Willy Vlautin, Devendra Banhart, Jesse Jarnow, and Jason P. Woodbury. Art by Denis Boudart, printed in collaboration with Cereal Box Studio. Only available at our Patreon . . .

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Electricity & Lust :: Pavement’s Slanted & Enchanted — Live!

PavementPosted on

Pavement’s debut long-player hits its 30th anniversary in April. To celebrate its lasting appeal, here’s a version of the album re-created from live tapes cherry picked from over the years, from the Gary Young era to the Westie days, and even with a little solo Malkmus thrown in there for good measure.Beautifully rough around the edges, occasionally on the verge of falling apart completely, it’s an appropriately enchanting listen, with style for miles and miles . . .

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First & Last: Japanese Private Press, Vol. 1

First & Last MixtapesPosted on

Welcome to the opening installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced "jishuban”, which loosely translates to “independent board.”

This first mix, a menagerie of songs from across the spectrum of Japanese private press, serves as an introduction to subsequent mixes. Tanosh . . .

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Videodrome :: The Holy Mountain

VideodromePosted on

The Holy Mountain is offensive and grotesque in the same breath that it’s beautiful and transcendent, challenging all methods of interpretation and blowing the doors off meta-narratives in its rejection of form. It's as subversive and tripped-out as any contemporary piece of media, serving as a gateway drug into the hardcore realm of mind-bending world cinema . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Sidereal Orientation. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Waylon Jennings :: My Heroes Have Always Been Cowboys (Documentary)

Waylon JenningsPosted on

Look here, hoss. While re-reading Waylon Jennings’ 1995 autobiography (ably penned with an assist from Lenny Kaye) we happened upon this gem, the hour long 1984 documentary My Heroes Have Always Been Cowboys. Show up for the interstitial solo performances from Jennings, but stick around for a peak into the lives of a uniquely American occupation. Giddy up, greenhorns . . .

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Posted on Waylon Jennings

Aaron Kyle :: Here In The River

Aaron KylePosted on

LA based singer-songwriter Aaron Kyle has been releasing a steady stream of music for the past two decades. From the askew pop of his '00's project, Le Switch, to the countrypolitan guise of his most recent Geronimo Getty persona, the throughline was the storytelling. This remains the case on Kyle's new ep, Here In The River, the first output released under his own name. Aesthetically noir in approach, and sonically indebted to Los Lobos, Lhasa, and Tom Waits, it's also Kyle's best work to date . . .

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Posted on Aaron Kyle